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About a month ago, I attended the ISTE 2011 Conference in Philadelphia, where I led one workshop on the iPad and later collaborated with four other Apple Distinguished Educators (ADEs) on another workshop.
The topic of ePub book covers came up in our team meeting as we designed a sample ePub resource. When you export from Pages for ePub, you check an option to use the first page contents as the cover. Since then, I’ve discovered a second method for getting the cover image you want for the iBooks bookshelf. Note: this changes only the cover art in iTunes and the thumbnail image of the book that appears on your iBooks bookshelf.
You answered the cover problem here, but my .pdf version of the ebook includes a color background, the use of shadows for enhancing photos and other things not convertible. My StoryMaker® lets you control characters and objects — and it creates sentences for you!
Storybird is a wonderful new web tool that allows you and your students to create great looking digital storybooks that can be worked on in groups and shared with the world. Recent CommentsColleen on Teaching Students to Write a Narrative ~ Study CarrelWayne Golian on Ten Interesting Facts . This is not a book that teaches readers to process photos in order to mimic various styles from art history. Rather than imitating art history and the great, unique artists that made it, it is a book that encourages artists to explore the possibilities of digital art and make art history. This book focuses on a mere portion of this vast spectrum of possibilities: two-dimensional i¬?ne art created with the help of Photoshop.
It is quite possible to use Photoshop and a drawing tablet to paint in a traditional manner.
This book should give you a working knowledge of Photoshop and put this instruction in a perspective that encourages you to develop your own unique voice in doing so.
The book features work from some of the most successful and innovative digital artists working today.
Award-winning digital artist and arts educator Ligon makes a convincing argument that digital technology has forever changed how art is made. Scott Ligon, coordinator of the digital foundation curriculum at the Cleveland Institute of Art and a top digital artist, explains in such simple clear language thata€™s a joy to jump right into Photoshop and start creating. What fun to get the correct spacing for this particularly French punctuation in a reflowable eBook!
PagetoScreen - Want to be part of a collaborative authored project?  Penguin is asking for you. Here we see the example of the first footnote in the chapter and the reference number in the text.
Notes: Attention to detail - for PrintFootnotesThese need to be separated from the main body of the text, and are best set with a smaller size and possibly event a different typeface and colour. The topic of this second workshop was using Apple’s Pages word processing and page layout program to create ePub files. Essentially, Pages takes a snapshot of all the images and text on the first page, saves it as a PNG, then designates that PNG file as your cover image. Then I spent hours figuring out how to make the cover image play well inside the ePub document and become the thumbnail image I wanted to see on the iBooks bookshelf. You can add text boxes (use large size fonts) on top of the image for your title, author and so on for any text you want on the cover. When you export for the ePub format from Pages, don’t check the option to use the first page as a cover image. The cover artwork you assigned doesn’t appear inside the ePub as it does in the first method described above.



Just drag and drop that file from your iTunes Books folder onto your desktop or other folder. A cover page with a white background (and the proper styles) is easiest and looks fine no matter where it appears.
Andy Brovey, The Portable Prof, has over twenty-five years experience in educational technology, including teaching, administration and professional development. In 2007, Apple Inc. Users can easily create cover pages, add text, upload drawings or photos to illustrate their story, and can use the StoryJumper clipart gallery, too. It is a very easy to use site with a ton of great images that you can use in creating your story. When finished, your class’s story becomes a real published book, where every student’s name is included as a participating author!
We're shooting a boutique hotel and looking for photos that show a warm, inviting interaction between people (employees+guests) in an equally warm and inviting space. This is a book that familiarizes the readers with the fundaments of the visual language and then shows them how to apply these principals to digital art. All instruction is placed within the larger context of understanding the visual language and using it for expressive purposes. It offers specii¬?c instruction within the perspective of a larger context of possibilities.
Photoshop, is also, of course, an amazing photo-editing program, capable of manipulating photographic material in endless ways, with great efi¬?ciency. It is the ability to draw, paint, manipulate photos and other materials, and most importantly, combine them into something new and cohesive, which makes Photoshop the ideal choice for this book.
Visit the Book Artists page to see a complete list of artists, including examples of work and short bios.
While many books on digital art offer pedestrian images, this book travels along the edges and presents some radical examples, such as the wonderfully weird portraits by DEVO's Mark Motherbaugh. As it is, I'm all over the place with my curriculum; so for my own purposes, it will serve as an excellent reference. You see that the text alignment (left or right), is automatic depending on recto or verso achieved by the paragraph style using Towards the Spine.
The idea of any notes is that it is supplementary information and it is entirely optional that the reader even bothers to look, so setting in a style that does not distract from the flow of the reading experience is important.Footnotes are best numbered with an outdented figure, although (for technical reasons) the numbers are most often aligned to the main text block. Generating a cover page with a white background using the handy ePub template Apple offers is easy.
Here’s what I discovered and shared with my fellow presenters at ISTE and my team at the recent summer institute.
However, I discovered you can violate this rule in one place, the first page, the page that becomes the cover image. When you export as ePub and don’t choose to use the first page as your cover artwork, Pages takes whatever is on the first page of your document (images and text) and puts that inside the ePub opposite your table of contents in two-page display view.
When they finish, the stories can be viewed online or ordered as a professionally published hardback book! It demonstrates the possibilities inherent in the medium and guides readers towards developing their own unique voice.
Robert Bringhurst doesn't need to bother with those little superscript numbers because the supplementary information is very much nearby for the reader.Still, tradition dictates that in some books, there are footnotes and some there are endnotes (either at the end of the chapter or the end of the book). Last week, I participated in the Apple Distinguished Educators Summer Institute in Phoenix, AZ. You can use a floating image and stretch it to fill the margins so you don’t get a white border. First of all as a Marketing Intern it should not be your responsibility to create aka design a book cover.


Most publishers will favour the numbers to begin again for each chapter, otherwise the numbers could get unweildy (superscript numbers of more than two digits could look ugly). The ADE Summer Institute is five days of intensive professional development and camaraderie with some of the best educators you’ll find anywhere. Let's face it, book design and usability does not often win-out over commercial considerations. Generating a full-color cover page without a white background or white borders to sit on the bookshelf inside iBooks is more challenging. I'd suggest an ad agency because they specialize in carrying brand throughout all sources of communication. Where footnotes are long, they can be split across more than one page, although this will compromise the usability somewhat.EndnotesNotes are often placed at the end of the chapter or even at the end of the book (before the index). I wrestled with this challenge last summer when I decided to write and publish my first eBook called iPad Academy: Tips, Tricks and Clever Techniques. I'm not using the images just looking for inspiration because this isn't something we typically shoot.
Lots of space for the text to breath.How I dislike some books that give me less than a centimetre of margin. This approach means that the reader will need to 'hunt down' the note referred to in the text.
Generating ePub documents from Pages was a new feature back then and I wanted to learn the process. A book must communicate with potential client and invite a person to visit that boutique hotel.
This usually means that the endnotes will be sectioned by chapter or section.The advantage of endnotes is that the page composition in the vertical plane is not compromised for the sake of the note space. Ridiculous as this seems, we have seen books with footnotes that take more page space than the main text itself!Sidenotes (sometimes called Margin Notes)Clearly the page layout needs to provide the space in the margins for this to be an option. Unless you have a graphic designer in house who should be responsible for that sort of thing.I think you might be misunderstanding what I'm asking but that's easy to do.
A "look-book" is an internal document that dictates the look and feel of the photoshoot based off of preexisting images that fit the desired motif. In this we can set the way the references are displayed in the text (superscript etc), and how the footnotes appear at the bottom of the page. We need a paragraph style set up for the display of the footnotes themeselves and we can (optionally), use a character style for the reference figure in the text.As you can see from the first example spread the footnote list figure is aligned to the left edge of the text box.
You will often see this in the books on your shelves, however, a more attractive arrangement is to 'outdent' these listed figures so that the footnotes are are aligned to the text and the figures are offset from this text box.InDesign does not provide the means to set footnotes outside the text box, so we need to plan for this by indenting all of the text inside the text box by an amount that we then remove from the left margins.
You will see from the image provided here that we are using guides to make sure that these items align. The one that I use here is called 'convert footnotes to (dynamic) endnotes' – meaning that the numbering will change if further notes are added.As always when using scripts to change content, save your work first! Scripts will often run through a long sequence of actions; you can always use 'revert' (from the file menu), to get back to the previous. You will see from the image here that the endnotes have their own page(s) with a heading that matches other heading styles. Using these we can control the width and position as the footnotes are converted to side notes.



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