Free online courses for music,soft skills training for managers,national coaching certification program volleyball - New On 2016

Our screenwriting unit is designed to build your knowledge about story telling and focuses on the writing of TV, radio, short film and feature film scripts. This discussion by Susan Salas goes through scripts and how to break them down for production. This course from SmallBizU discusses types of intellectual property, the process of seeking intellectual property protection, international intellectual property issues and different types of confidentiality agreements when dealing with intellectual property.
Acting requires a wide range of skill, from the ability to control your voice to adopting physical attributes.
Have you ever wanted to pick up a video camera and make a short video or film, but felt intimidated by your lack of knowledge?
Susan Salas delves into camera and camera operation in this lesson from Pepperdine University.
This course from New Mexico State University covers some basic tips on things such as editing, scoring and make-up. A course in the setting up and operation of portable video equipment, as well as writing and production of various video program forms - by Dr. Digital media provides opportunities for producers to get their work out to the world quickly and easily.
Susan Salas discusses what to think about during the editing process and the approach to editing. This course is an introduction to narrative film, emphasizing the unique properties of the movie house and the motion picture camera, the historical evolution of the film medium, and the intrinsic artistic qualities of individual films. This course examines works of film in relation to thematic issues of philosophical importance that also occur in other arts, particularly literature and opera. This course examines problems in the philosophy of film as well as literature studied in relation to their making of myths. A series of academic movie reviews by Professor Wheeler Winston Dixon, Ryan Professor of Film Studies, Professor of English at the University of Nebraska-Lincoln. Once upon a time an undergraduate degree was enough education for the average person, enabling him or her to attain a job that paid good wages and benefits. You can post homework by e-mail in some of these courses, as well as consult with your professor by e-mail or telephone.
Regardless of how your professors use technology for distance learning, you will find your new degree opens more doors for you.

A stage actor will often be required to research a period a history or particular topic to bring a character to life. This unit is designed to develop the analytical skills you need for a more in-depth study of literary plays. The explosion of film-making for websites and mobiles gives people and organisations the opportunity to tell their stories and show what they have to offer, at low cost. The primary focus is on American cinema, but secondary attention is paid to works drawn from other great national traditions, such as France, Italy, and Japan. Emphasis is put on film’s ability to represent and express feeling as well as cognition. The readings and films that are discussed in this course draw upon classic myths of the western world. They have also been the most important modern vehicles for one of the oldest and most significant of American cultural myths – the myth of the frontier. Particular emphasis is placed on lighting, sound, genre characteristics, image composition, editing, criticism, and social implications – taught by Brian Shelton. For struggling writers out there, like myself, this platform is absolutely wonderful and uplifting.
Most offer “certificates” or “statements of completion,” though typically not university credit. However, higher degrees are now the starting point for new hires, and employees with only undergraduate degrees are returning to school to remain competitive. This means that you can log on to your class and receive video, audio, and written course material any time that is convenient. Testing is often done through the internet as well, and sometimes you can take these whenever you wish as long as you meet a deadline.
Although you would have to be present at a specific time, you can call in to these class sessions from wherever you wish–and wherever you can. We’ve rounded up full courses, symposiums and lessons brought to you by professors at major universities. You’ll analyse different forms of script writing and screen writing, the elements they have in common and the specific tools that can help to deliver better scripts in each medium. This collection aims to give an insight into what it is like to be an actor at the National Theatre.

You will learn about dialogue, stage directions, blank verse, dramatic structure and conventions and aspects of performance.
This collection of exciting videos features the Open University’s experienced team of filmmakers, who will show you some of the craft secrets that underpin good filmmaking, and how professionals stay up to date. The syllabus includes such directors as Griffith, Keaton, Chaplin, Renoir, Ford, Hitchcock, Altman, De Sica, and Fellini. Both written and cinematic works by Sturges, Shaw, Cocteau, Hitchcock, Joyce, and Bergman, among others, are considered. The course surveys the development of the Western film genre and sets it in historical and cultural context. Whoever come up with this is a wonderful human being and is the Lord’s answer we have been waiting for. If you are one of the many people who needs to work, care for family, and attend classes, there is a good chance you will benefit from distance education.
Note that some classes have stricter rules on this, so make sure you know what your professor expects in this regard. Employers who truly want to see their employees achieve higher education will allow the time necessary for you to participate and earn your degree. Featuring Simon Russell Beale, Zoe Wanamaker, Lesley Manville, Rory Kinnear, Fiona Shaw, Ben Whishaw and Roger Allam.
You will learn the basics of editing, how to conduct an interview, the role of the producer and other crew members and how to archive your finished project.
In addition to viewing 20 or more feature films, we will study some of the precinematic sources of Western themes and images (novels, paintings).
There also may be specific times for online class discussions, which are often through instant-messaging, and you should be aware of these before you sign up for your course. There will also be readings in the history of movies, critical and cultural theory, and political history.

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