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Mit dem RSS-Angebot von K3 erhalten Sie die aktuellen Informationen zu allen Veranstaltungen selbst dann, wenn Sie keinen Internetbrowser geoffnet haben. In what ways can we address the special needs of children and teenagers arriving in Germany as refugees? Based on principles of Feldenkrais and release technique, the practice focuses on one’s connection to the body from the inside out: awakening physical connections, stimulating sensibility, to then integrating these into movement schemes. Focusing on the deeply intuitive working methodology of choreographer Samir Akika, Gregor Runge – dance dramaturge at the Theater Bremen – outlines how dramaturgical work can strengthen unstable artistic positions. The training is inspired by yoga, somatic approaches, floor work and other release techniques. As a production dramaturge as well as in the role of curator, Anne Kersting focuses on the dramaturgy of observation.
This class is a confrontation with different movement languages, such as kung fu, tango argentino, sign language, capoeira and more, all melting together to a rich contemporary vocabulary.
Choreographer Martin Nachbar and dramaturge Jeroen Peeters share a close artistic working relationship.
In Embrace the Space the adolescents experiment under Friederike Lampert’s direction with the different possibilities of shaping the choreographic space with body and clothes. Marc Vlemmix and Andrew Greenwood provide a practical introduction to their teaching method for working with people with Parkinson’s and other neurodegenerative impairments to enhance their quality of life through dance. The training focuses on physically understanding which impulses lead us to move with which qualities. Within a clear structure ending in a movement combination that articulates outwards into the space, this counter technique training prepares the body for subsequent rehearsals, performances or simply helps to get ready for the day.
The Probebuhne Eins (Rehearsal Stage One) format provides insight into choreographic and artistic processes and various approaches to handling contents, form and aesthetics in a context not tied to a specific production. Musicality and the interplay transition between dynamics and movement qualities make a good dancer.
Stiftung Tanz is based in Berlin and supports dancers in transitioning to a new profession after the end of an active dance career. The training is designed for dancers, who wish to employ the special technical qualities of ballet in their work. The main proposition of this class is to move away from any ideology, style, form or aesthetic and to examine physical abilities through different situations that force us to move. A class of high physicality based on elements of flying low, parkour, break dance, martial arts and capoeira in order to establish a language in common, and explore the limits of each one, stretching them until the limit and further.
The Countertechnique, developed by Anouk van Dijk, is a physical and mental form of training. Mandeep Raikhy is visiting Kampnagel with his piece Male Ant and will be giving an introduction to his methodology in a master class.
The class focuses on the connection between creativity and imagination in the dancer's work.
The training usually starts with exercises to one specific organ or system of the body, physically, mentally and emotionally.
In Cristina’s practice, the dynamics of the class increase progressively using imagery: several states of consistency of the body and density of the space are explored. The training aims to explore the relationship between visual perception and proprioception. The training is based on the Weissmann Technique, a contemporary movement approach that, although based on modern dance, has developed it further into a new method used to explore movement in a highly physical and dynamical way as well as learn to dance with joy. Everyone has built a cave out of blankets and boxes at some point or carved a sword out of a stick. The workshop provides a practical introduction on the subject of choreographic processes in dance, theatre and performance and offers the chance to become acquainted with the tools of the trade for a playful handling of movement, especially for those with little or no choreographic experience. As part of the rehearsal process to Glas, the second part of her trilogy on the relationship between dance and the audience, Hamburg-based choreographer Jenny Beyer is hosting a collaborative laboratory. Some exercises and games of this class awaken the playful bodies, spirit, intuition and instinctive motion but the class also pays attention to technical aspects, exploring physical mechanisms that allow us to reach physical extremes while protecting the body at the same time.
The participants are led through a series of structured exercises incorporating elements of yoga, release, Limon and Flying Low technique that gradually and steadily prepare them for complex patterns and challenging choreographic sequences. In the first half of the class the participants train reflexes, balance and the peripheral vision. A contemporary training relating the hands to the pelvis, using structured exercises as well as explorative tasks to physically experience their link, connection and distance.

The class unfolds slowly and gradually, a guided warm-up incorporates somatic practices and an embodied movement approach. In our new K3 Youth Club production, teenage performers deal with various aspects of economic growth and the social and technical acceleration that it entails.
While the debate about collaboration in the field of dance has been running extensively, it easily falls into a trap of confusing a discourse about it with a practice of it. The training builds on somatic approaches, release work and the gravity associated principles of qigong and t’ai chi ch’uan. There is a massive need for interview candidates to thoroughly prepare for the big job interview, because it is still very much a buyers' market. Evaluating performance from both sides of the table delivers revealing insights into successful interview skill strategies. If it's a long time since your last job interview, we can help sharpen your technique with some focused exercises and role-plays. We also do a great deal of courses and workshops with university undergraduates and interviews for university applications. Feedback from exit interviews from both sides of the table indicate that many perfectly qualified and capable candidates do not achieve their interview goals simply due to poor preparation. Having worked hard on their CVs, many candidates make the assumption that their CV has been accepted and every salient point within it, digested by the interviewer. While the economy shows signs of recovery, those prepared for the upturn will be the eventual winners. For more details on Vince and his speaking achievements, click on the following link Vince Stevenson. A great deal of time on the course is spent examining the types of interview questions you would generally expect. Since I became involved in personal development almost twenty years ago, I have been incredibly successful in helping others. This is a suggested syllabus for introductory and basic study of the Quran and Islam in general. Yes you are right this temples, masjid and alll other places of worship are symbolic things .
Sound Vision aims to produce content that helps build bridges of understanding among Muslims and their neighbors, with emphasis on youth. Sound Vision would like to see Muslims achieve their full potential as dynamic and creative individuals, who are comfortable with themselves and their environment. Radio Islam is America's only live daily Muslim radio talk show that provides a two-way conversation on the air with Muslims and their neighbors in the Chicagoland area. MuslimFest is an award-winning annual festival celebrating the best in Muslim art, culture, and entertainment, attended by 25,000 visitors in Toronto, Canada, every year.
Stand with the Prophet is a series of mini-conferences or galas that are held across the USA celebrating the life and legacy of Prophet Muhammad in standing up for peace and justice, against hate and terror. It begins with a concentration on breathing and then develops into more and more complex movement sequences.
This is an offer for everyone who is interested in an exchange between people with and without experience in dance as well as with and without handicaps. Based on our own bodies, own physique, own body schemata, we deal with various internal bodily connections. She moves through the glamorous emptiness of the stage space on roller skates while developing a simultaneously powerful and fragile movement language. His unique style of choreography, infused with honesty and raw physicality has won Hofesh and his Company world-wide acclaim. However, the predetermined sequence of exercises is deliberately rearranged and combined with modern techniques. We work with the sensory image of melting outwards into the multi-dimensional body, with a playfull awareness of the breathing pulse, with listening to the response of gravity in any situation. It develops from pure bodywork to complex choreographic movement sequences with a focus on expansive movements and floor work. Gaga provides a framework for discovering and strengthening your body and adding flexibility, stamina, and agility while lightening the senses and imagination. Its aim is to increase the overall awareness of dancers and to connect movement with thinking in a really efficent way. The participants will learn to observe dance from the perspective of movement principles, patterns and connections in the body.

It is based on analytical thought and physical feelings in different situations, as experienced by the body. Using the Body-Mind Centering® approach, we will try out specific exercises for the exploration of perceptual elements by applying images and movement in the class.
All interested in an exchange between people with and without prior dance experience as well as with or without disabilities are welcome to participate. In a universe of colours and structures, dancer Eva Svaneblom demonstrates ways in which everyday objects, garments and bodies swap their properties, abilities and functions. In them, dance vocabulary and sing-song, instructions and praise, accents and mumbo-jumbo, poetry and pop songs mingle. Passion as in flamenco, erotic seduction as in burlesque – the performer’s poses reveal and deconstruct the many approaches of different styles. It starts out with a warm-up for the body, the awareness and the senses by using mobility, strength and stretch for traveling in space.
Simple soccer tricks and exercises are applied in an atmosphere of play, creativity and musicality and create a strong sense of presence, action and intent. Placing and sending the hands or pelvis in the space, will bring the bodies to move on different levels.
It provides a framework for discovering and strengthening the body and adding flexibility, stamina, and agility while lightening the senses and imagination.
Softly and respectfully the participants perceive, feel and explore walking patterns, imagery, awareness of bodily systems and the action of touch and being touched. Qi work, as well as the exploration of structures and swirls, play with the relationship between buoyancy and weight, emptiness and abundance, elasticity and balance. There are many well qualified and experienced candidates currently available and only the best prepared will find the success they deserve. We are also aware that there are a great deal of public sector, civil servants and NHS staff looking for alternative employment.
Candidates' inability to answer straight forward interview questions puts them on the back foot.
Whenever I have asked individuals for a testimonial, I have never had a problem with them producing something encouraging regarding our work together.
What exercises give a sense of orientation and freedom in order to deal with complex musical compositions? Choreographer Meike Klapprodt and media pedagogue Claudia Meiners will be offering dance, film and costume workshops.
The participants use their imagination as well as triggering their senses with the information around. Whose purpose is it anyway?Journalists today are plagued by the need to develop clever strategies for (self)improvement. There are theoretical sessions followed by participation in numerous role-play scenarios, both as an interviewer and interviewee. If you have need of an urgent session, please call and we will endeavour to find a solution. I have about an 80% strike rate of success from the feedback I receive following individuals' interviews.
24 children tell the tale of trying to catch the Robber Hotzenplotz using bodies, pens and words. If you are well prepared, confident and articultate, you have the type of unfair advantage that we all dream of in these circumstances. Because I work in the field of speaking and interviewing, I am giving feedback all the time.
We have particular expertise and experience in helping the development of NHS staff and IT freelancers, civil servants and public sector staff. I know what to look for, I know how to coach people out of current habits and into new and successful patterns of behaviour. If there is anything holding you back from being successful, I will identify it and offer you alternative paths.

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