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Ryan Gosling's gift of physical comedy, combined with his fantastic chemistry with Russell Crowe, makes "The Nice Guys" worth a look. Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. Laura Poitras's "Risk," on WikiLeaks, and Paul Schrader's "Dog Eat Dog," a noir, have their premieres at the 2016 Cannes Film Festival. When I began as a film critic, Jean-Luc Godard was widely thought to have reinvented the cinema with "Breathless" (1960).
When I went to Ireland to visit the set of "Ryan's Daughter," the studio sent a car to ferry me and my cohort McHugh to the Dingle Peninsula. Check out the trailer, poster, images, and clips after the jump and then pray that the film will be playing soon at a theater near you. In the movie The Secret Of Kells, young Brendan lives in a remote medieval outpost under siege from barbarian raids.
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The Secret of Kells has just grabbed an Annie nomination for Best Animated Feature and Tomm Moore, co-founder of Cartoon Saloon in Kilkenny, Ireland, describes how he brought this lovely and magical 2D movie to the screen.
TM: We pitched it at Cartoon Movie when Les Armateurs and Vivi Film were in the middle of The Triplets of Belleville and they showed 10 minutes and it was a big hit and they liked our pitch and thought it could be their follow-up. Because Ireland was the country that developed the project, we ended up being the lead creative studio and France ended up being the lead production studio. TM: We did about 15 minutes of sample animation, designs, all of the key posing and most of the backgrounds here at Cartoon Saloon [Blue Spirit in Angouleme, France did the rest of the backgrounds]. TM: We worked with HoBSoft developed by a couple of Danish guys for Asterix and the Vikings.
TM: At the end, the key role page was drawn and was originally a manuscript from a thousand years ago but an illustrator cleaned it up and pulled it apart in Blender so it could move.
But we made a simple rule from the start: the medieval world is really flat with false perspective and lots of color like medieval art. TM: We started off with a much more classical Disney look, but, as the backgrounds were developed more for the medieval look, the characters had to be simplified. The character design team consisted of my self and Barry Reynolds, who rejoined the team after working with us on the original pitch trailer as designer and animator. TM: I've already got some development money from the Irish Film Board and from media here for my new feature, Song of the Sea. You will receive a weekly newsletter full of movie-related tidbits, articles, trailers, even the occasional streamable movie. But a new life of adventure beckons when a celebrated master illuminator arrives from foreign lands carrying an ancient but unfinished book, brimming with secret wisdom and powers.

But a new life of adventure beckons when a celebrated master illuminator arrives from the isle of Iona carrying an ancient but unfinished book, brimming with secret wisdom and powers. Inspired by Ireland's most precious artifact, The Book of Kells (a stunningly beautiful medieval manuscript containing the Four Gospels), the movie concerns a 12-year-old boy living in an abbey that comes of age amid Viking attacks and mystical wonders.
I had the first idea with a friend in college and we were thinking after seeing Mulanand The Thief and the Cobbler that we could find something in Irish arts to base as an animation. And at that same Cartoon Movie Canal + got involved too, so they were the kind of anchor finance. When anyone at a studio finished their work, they would upload it and I could see it and bring it into the Avid. And then when the Vikings attack, a lot of the little extra characters that look like brushstrokes were done in CG. The art director, Ross Stewart, is a friend of mine from school, and we worked together for years on the look because we never thought the project was going to go into production. In order to finish Brother Aiden's book, Brendan must overcome his deepest fears on a secret quest that will take him beyond the abbey walls and into the enchanted forest where dangerous mythical creatures hide.
To help complete the magical book, Brendan has to overcome his deepest fears on a dangerous quest that takes him into the enchanted forest where mythical creatures hide. We never could do it as a student project so it became a pet project on the back burner here at the studio. And then once the French financing started to come into place, we started to raise the Irish finance and then, finally, the Belgian. Mainly, we kind of got neurotic about preparing everything and it paid off in the end because a lot of people said that they found the film very consistent and were surprised that it was made in so many countries, and I'm proud of that. But by the time we did actually go into production, we developed more styles than we could use, and we had to pare it all down in a few months and come up with a consistent style.
And Didier Bruner, the producer in France, really pushed us to have very flat characters, more like medieval icons. He was ably assisted by Martin Fagin, who was our clean up supervisor and who designed the final line and worked closely with Digital Graphics in Liege to plan the "stained glass" effect of thicker outer lines, which was added  digitally. It's about a little girl that's the last selkie and she has to find her way back to the sea from the city, and on the way back she gathers up all the remains of the fairy folk that are still hanging around in modern Ireland. McHugh and his brothers told me how as lads they picked up change by discovering the Irish surnames of Yankee tourists and offering to show them where their ancestors lived. It is here that he meets the fairy Aisling, a mysterious young wolf-girl, who helps him along the way. But we thought it would be interesting to translate that into 2D, hand-made animation, which would be suited to the style. Finally Lily Bernard, one of our background supervisors, made the color models for all the characters.

You will be able to Stream and Download The Secret of Kells Movie Streaming in High-Definition on your PC (desktop, laptop, tablet, handheld pc etc.) and Mac. They always led them to the same shop in a little cottage, where the owner gave them a "consideration" for any purchases made.What does this possibly have to do with "The Secret of Kells," one of this year's Oscar nominees for best animated feature? But with the barbarians closing in, will Brendan’s determination and artistic vision illuminate the darkness and show that enlightenment is the best fortification against evil? But with the barbarians closing in, will Brendan's determination and artistic vision illuminate the darkness and show that enlightenment is the best fortification against evil? We went through different drafts of the script, some more of the history and some more of the fantasy and found a blend between the two. We are working on the script and for me the big lesson is to get everything ready up front. Here is a film about a young and very brave medieval monk named Brendan, a sacred book, a storied monastery, a fairy girl, an alarming creature and a forest containing little nuts that make brilliant green inks. If there are not, how does she know for sure?The Irish are a verbal people, preserving legends in story and song; few Chicagoans may know there's a First Folio of Shakespeare in the Newberry Library, but few Dubliners do not know that the Book of Kells reposes in Trinity College. It is a painstakingly illuminated medieval manuscript preserving the four gospels, and every page is a work of art. Perhaps some of that brilliant emerald green was his, extracted from nuts he gathered in the forest. Brendan (voice of Evan McGuire), the youngest and pluckiest monk in the walled monastery, befriends old Brother Aidan (Mick Lally), a traveler who has arrived bearing the precious book.
He can start by disobeying the Abbot (Brendan Gleeson), venturing outside the walls, and gathering the nuts.This and his further adventures are related in Tomm Moore's film, which is a little like an illuminated manuscript itself. Just as every margin of the Book of Kells is crowded with minute and glorious decorations, so is every shot of the film filled with patterns and borders, arches and frames, do-dads and scrimshaw images. That reflects the creation of the original book in the centuries before the discovery of perspective duringn the Renaissance. Like the people in Nina Paley's "Sita Sings the Blues," these images move mostly from back and forth within the same plane, which is only correct since perspective hasn't yet created spatial dimension.
Indeed, in a season where animated images hurl themselves from the screen with alarming recklessness, I was grateful that these were content merely to be admired.The movie has a wide appeal, with a gap in the middle.
I think it will appeal to children young enough to be untutored in boredom, and to anyone old enough to be drawn in, or to appreciate the artistry. For those in between, the "Transformers"-damaged generation, it will seem to be composed in a quaint, unknown language.

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