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They're trashy and tawdry as can be, but the Lifetime movie is also an American national institution.
Last night, the US cable channel Lifetime aired A Deadly Adoption, starring Will Ferrell and Kristen Wiig.
For the next 25 years, Lifetime would buy up and churn out a wealth of wonderfully bad films, running the gamut from weepy melodramas to spurious biopics and trashy thrillers. The storylines of Lifetime movies tend to be hot-button issues, stories ripped from the pages of the tabloids. You imagine the writers must be nervous wrecks, hunkered down in a bunker somewhere, worrying through endless worst case scenarios. If you want to know whatever happened to 90210’s Tori Spelling, or Saved by the Bell’s Tiffani Amber Thiessen, head on over to Lifetime.
Spelling had a particularly hot streak in the Nineties, starring in classic Lifetime fodder such as Co-Ed Call Girl, Death of a Cheerleader and Mother, May I Sleep with Danger? Everyone has to start somewhere, and just as you might spot a James McAvoy or a Keira Knightley in an episode of The Bill or Casualty, so too might you spy a genuine Hollywood star in a Lifetime movie. Christina Hendricks played a teenager whose controlling mother forced her into anorexia in Hunger Point (2003).



In Dying to Belong (1997), Oscar-winner Hilary Swank is forced to eat broken glass in order to join a prestigious college sorority.
The High School Musical tween idol Zac Efron played one of a pair of autistic brothers in 2004’s Miracle Run. A 19-year-old Keri Russell is ensnared by a married man in The Babysitter’s Seduction (1996). They’re some of Lifetime’s most high-profile films: tawdry re-enactments of the brief lives of celebrities such as Brittany Murphy, Anna Nicole Smith and Aaliyah, generally starring actors who look precisely nothing like the people they're meant to portray.
The Aaliyah film, The Princess of R&B, plumbed especially awful depths by presenting the singer’s underage marriage to R Kelly as sweetly romantic. Fun fact: Grace of Monaco, the Nicole Kidman-starring Grace Kelly biopic which failed to get a cinematic release after being trashed by critics at Cannes, had its television premiere on Lifetime. According to statistics gathered in 2014, only seven per cent of Hollywood movies are directed by women, and only 11 per cent are written by them.
Among the directors are established names such as Mary Harron (American Psycho), as well as first-time helmers such as Angela Bassett, who directed a biopic of Whitney Houston earlier this year. Because it stars two of America’s best-known comedians, it was thought that the film would be a spoof, but the movie’s trailers seem to suggest that the pair is playing it pretty straight.


In 1990, the channel produced its first film, Memories of Murder, the story of a happily married woman who becomes an amnesiac, while also fending off a female serial killer.
In an interview with The Washington Post, Arturo Interian, a producer of original movies at the channel, explained how the process actually works. In more recent years, she’s become the main attraction in the channel’s reality show True Tori. For Lifetime movies, however, that figure rises to 20 per cent for directors, and 43 per cent for writers.
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