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Author: admin, 14.04.2014
To most Americans, and many others around the world, this band is the ultimate two hit wonder: "Radar Love" in the 70's and "Twilight Zone" in the 80's. At this point, the band was pretty much on fire and laid into the ferocious "Identical" with its ringing guitar riff from 2012's "Tits N' Ass" with guest saxophonist Bertus Borgers and then onto their 80's heyday with the brooding "Future".
While I was in line for a full strength Amstel (no light ones here!) I ended up in a conversation with two older gents who had been following the band since the 60's.
Back to the show for part two we got the acoustic set with the highlight being "Weekend Lover" with the many beautiful Dutch ladies in the audience singing along and dancing in the aisles.
Heading into the final stretch, the band switch back over to electric for the dramatic "Turn The World Around" and a couple of songs from their 80's MTV days - 'The Devil Made Me Do It' and the infamous "When The Lady Smiles" which had the huge video screens showing images from the music video that almost killed the band's career with its outrageous storyline.
And then Rinus Gerritsen is all alone on stage delivering a stunning bass solo on a double neck that shows he's the most underrated bassist in rock and why he's Steve Harris of IRON MAIDEN's favorite bassist. The final encore sees the band play a new song from the mini-Lp and their progressive classic "She Flies On Strange Wings" with its gentle opening and later blistering power chords that showcase the full range of the EARRING style. All content is copyright 2010-2015 its respective authors and is not to be reproduced without permission.
GOLDEN EARRING, a Dutch band I've loved since I was a teenager in the 80's, were having their 50th anniversary concert at the biggest stadium in Amsterdam. But it's a vastly different story in the Netherlands and the rest of the Benelux countries.

From this point it was a headlong rush to the intermission with "Long Blonde Animal", cool new song "Je Regrette", and two highlights of the entire show: a stunning "Vanilla Queen" - one of the band's most accomplished big ass 70's jams which saw a small horn section pop up for the moody middle section of the track - and then their massive hit "Twilight Zone" which had the whole stadium on its feet in a state of euphoria. They told me a couple of cool stories of seeing the band in The Hague in their Dutch hippy heyday.
This song, along with the catchy "I can't sleep without you" seem to be the most popular with the female EARRING fans. Set closer "Radar Love" is about what you'd expect from a sold out crowd of 17000 fans at a 50th anniversary concert - complete insanity.
The final song of the night is a rollicking "Holy Holy Life" that has the entire stadium stamping their feet and singing along.
Within 10 minutes, despite not having a current passport or having been on a proper vacation in well over a decade, I bought a VIP ticket. GOLDEN EARRING are a hugely popular band with a rich history that dates back to the early 60's beat pop era. My favorite songs of this section was the brooding "Just A Little a Bit Of Peace In My Heart" with its moody DOORS vibe and the perky "Johnny Make Believe". Cesar Zuiderwijk, who has played amazingly well tonight finally gets his drum solo here and he's terrific and playful.
They still release albums even today - in fact, they released an EP to coincide with this gig called "The Hague" - a nod to the ancient Dutch city they originally hailed from.

The Ziggo has stunning acoustics and massive video screens were put up to accommodate the fans in the back. And unlike their contemporaries THE ROLLING STONES, EARRING still deliver quality new music. Vocalist Barry Hay, at 67 in better shape than your gym rat brother strolled onstage and the band kicked into an early favorite, the stomping "Back Home" which was the perfect opener.
I encourage anyone who loves classic hard rock to explore this band's amazingly diverse and enormous catalog: from early pop to their psychedelic period to their brilliant complex heavy progressive era to the hard as nails commercial period that gave us "Twilight Zone" all the way through their more recent acoustic and quirky commercial efforts like "The Naked Truth" and "Millbrook USA". Hay - intricately tattooed and wearing black sunglasses looked like the ultimate rock star and watching him play the flute was a huge kick. Their heady mix of WHO style power chords, the commanding vocals of pure rock star Barry Hay and the best currently working rhythm section in rock were on perfect display Saturday night. Next up was guitarist George Kooyman's vocal showcase "Buddy Joe" which was a great jam with a memorable spaghetti western lyrical slant.
Sticking with he the 70's vein they jumped right into "Just Like Vince Taylor" from the "Moontan" Lp before playing the nights oldest number - an acoustic themed bit of folk pop called "In My House" from 1967's "Miracle Mirror" which predated Barry Hay's joining the band in 1968.

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