A quadrangled story about shades and variations in co-dependence and sovereignty, inspired by a musician (John Lennon), a theorist (Henri Lefebvre), an author (Halldor Laxness) and a demented ruler of Rome (Caligula).
More information: "Mindgames is constituted by four parts – ordered in alternating sequence – to form thirteen chapters in total.
Mind Games, the midseason replacement show on ABC, depicts a business practice of manipulating people's decisions (granting an ailing boy surgery, voting on a bill) by use of cues and triggers that affect their mindset.
Critically acclaimed but ratings-starved showrunner Kyle Killen is back on TV with his third attempt at a show: Mind Games.
One track from the sessions, "Rock and Roll People" was unreleased until "Menlove Avenue" included it.
It does come with an 8 page booklet which contains nothing that was not already in the original version.
The remixing was performed at Abbey Road in 2002 with a project co-ordinator of Allan Rouse.

4th October 2010, to commemorate the 70th anniversary of John's birth a campaign was launched with all John's original albums remastered. Each of the four sections holds a biographical account of its subject: Caligula, Henri Lefebvre, John Lennon and Halldor Laxness. This of course is an ethically questionable area, and the pilot does a nice job and shows a lot of promise in the show by having its characters inquire about those questions and the possible drama of having to blur the line between what's morally acceptable in order to be successful.
The premise of a consulting firm that uses psychological manipulation to help people get what they want is fascinating, and the inclusion of Christian Slater makes it very entertaining.
The chapters can be read separately, as they have been conceived to be independent wholes, forming biographies that present portraits of associations rather than particular statements about individual lives. The pilot episode has a little trouble creating emotional stakes for the characters up until the last fifteen minutes when a few curve ball storylines are thrown in to make the show a little more interesting. The handling of the lead, Steve Zahn's Clark, and his bipolar disorder is not as strong as I'd like, though I don't know enough about the disorder to properly diagnose the show version, but it appears he spends the majority of his time in a bipolar high, never showing us the lows.

The second episode however reigns in the emotional weight, gives our main character Clark (played by Zahn) an emotional monologue in order to connect with the viewer, and cements the procedural element of the show firmly in place. The show is shaky, finding its footing in the beautifully shot playground of Chicago, but it has lots of potential. The motives in turn produce variations on particular themes as they modulate into different parts within the totality of the work as a whole.
At times the show can try a little too hard to be science-laden or educational, and definitely can suffer from piling on a little too much drama, but overall it's fun and different. I'm excited to see where it goes, and think that Killen may have finally found his balance between critical success and people actually watching his programs.FINAL VERDICT: SEE IT!

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