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18.06.2015
Predictably, the movie and story are utterly different beasts, with the film departing from the story’s restless, sickly unhappiness.
Apart from the entirely divergent emotional experience, what struck me most on reading the story is how successful the film was in capturing Gaitskill’s written style. Welcome to The Black Letters, a blog celebrating all aspects of bibliophilia, with a slant towards speculative fiction, and written jointly by Emera and Kakaner. Look sweetheart, I can drink you under any goddamn table you want, so don't worry about me. Until my brothers reviewed Baby Face, I never realized that John Wayne had made these types of films.
This pre-code film is not big on sex but it has a few choice lines that might have been cut just a couple of years later. His Private Secretary is a fun little romantic comedy starring a very young John Wayne in a role unlike any other in his long and storied career. John Wayne is given an acting credit 179 times on IMDB in a career that lasted from 1926 to 1976.
After seeing the movie twice, and both times loving its tenderness, quirky humor, rich visuals, and slinking soundtrack, I finally read the Mary Gaitskill short story (click to read) on which it was based. Apparently it was first published online as Edward and Bella fanfic before being tweaked to be a non vampire non fanfic trilogy and published in hard copy.
Now when I read a little voice inside me says,you know thing never turn out like they do in fairytales. This strange balance plays heavily into the Steven Shainberg-directed SECRETARY, based on a short story by Mary Gaitskill. It tries to say something about judging people, but it is really worth watching just to see John Wayne looking so young and playing a type of role you may have never seen him in before. The quality of the surviving print is not good, couple that with the shoestring budget it was made on and it's a bit of a wonder the film is still around at all. She played a leading role in the 1930 movie Sinners' Holiday but was overshadowed by her costars James Cagney and Joan Blondell, both of whom were making their movie debuts.


She was a solid little actress who was quite pretty and had great ankles, which she shows off proudly in several scenes.
An astonishing 83 of those credits came before his breakthrough role in 1939's Stagecoach. While I cannot say that the books are well written, the 50 Shades of Grey books were written by someone who also clearly loved the film Secretary. I rather like 50 Shades, but I most definitely love Secretary, as it’s realistic, yet fantasy-like rolled into a unique film. Lee Holloway (Maggie Gyllenhaal) is a troubled young woman with a secret, destructive addiction fueled by her mother's overprotectiveness and her father's alcoholism.
His father grows tired of his son's lifestyle and forces him to get a job with him at the bank. Also, as a big fan of Fatty Arbuckle and Buster Keaton, I was surprised to see that their regular co-star Al St. If not for the presence of John Wayne it would almost certainly have been lost or destroyed long ago. Seeing Wayne in a suit and tie, driving around in a fancy 1930's automobile, is indeed a curious sight. Grey) find a genuine connection, with Lee eventually emerging as the one with the strength to dictate the terms of their relationship.
I expect most audiences will prefer the transformative love story that follows in the film, but Gaitskill’s original is stylistically memorable, bitterly intelligent, and draws lingeringly unsettling character portraits in a few terse pages. Sheltered and wholly dependent on other people, Lee's only form of self-expression is in this private, painful habit. His first assignment is to drive to a small town and deliver a foreclosure notice to a minister of all people. To impress Dick's father, Marion accepts the job as his secretary, without him knowing it is his daughter-in-law. Certainly, as my brothers said, it is his appearance in this one, in a character that is in such stark contrast to his later persona, that makes it truly worth watching.


In addition to this movie she was cast in the title role in the talkie remake of The Perils of Pauline serial – that had been such a hit with audiences back in 1914 starring Pearl White. Dick Wallace's transformation from playboy lush to faithful, hardworking husband is a bit on the abrupt side, but then love has been known to change a man.
He tells her the bus she is waiting for broke down in order to get her to agree to accept a ride home from him. She continued to act in movies throughout the 1930s before quietly retiring to obscurity in the early 1940s. She is soon in love however, and once they are married she becomes determined to win over Dick's very disapproving father. Gray watches Lee, studies her, and slowly begins to correct both her typing errors and her personality flaws. Wayne's horniness would likewise have been toned down after the Hayes Code went into effect.
Gray's dominance appears scary and overbearing, a true threat to Lee's naive, fragile psyche. But as the film carefully develops these unique characters, revealing their odd strengths and weaknesses, it becomes delightfully clear that Lee and Mr. One of my favorite bits of humor was the perfectly innocent scene between Marion and Dick's father when she is able to give him advice, but when his male assistant tries it, he is fired for being nosy. SECRETARY is a bright, atmospheric movie that shines a light on the "fun" in this dysfunctional relationship, while using brilliant performances by Gyllenhaal and Spader to illustrate the benefits of sadomasochistic love.



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