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28.11.2014
Recorded at Hammersmith Apollo in March 2011, Live Blood captures Peter Gabriel performing live with the 46 piece New Blood Orchestra. To play the media you will need to either update your browser to a recent version or update your Flash plugin. New Releases Now - Sign up to find top new songs of 2016 and videos from the best new 2016 albums! Originally released both on VHS and as a live album in 1994, Secret World Live documented the world tour for Peter Gabriel’s Us album. Gabriel’s finest touring band to date performs this set, featuring bassist Tony Levin, longtime foil David Rhodes on guitar, and French drumming wonder Manu Katche. Other features include time lapse video of a day in the life of the tour, from load-in through the show to load-out. The improved picture quality, fresh remaster and new surround sound mixes are worth hearing, even if you played the live album as much as I did eighteen years ago.
Every great musical artist if they stick around long enough reaches a point in their career when performing live that they have to become a bit of a greatest hits act.
An additional performance, a look behind the scenes, and a bonus from Gabriel’s New Blood release round out this Eagle Rock disc. The repertoire mixes cover versions from his Scratch My Back album with classic tracks from across his solo career in brand new orchestral arrangements. The song selection and running order traverse Gabriel’s themes of self-discovery, connection to others, and reconciliation between male and female.


They can no longer simply go out on tour and perform a bulk of new material and hope to please the crowds that have paid good money to see them perform the old favorites. With that being said, even compared to 35mm, 16mm lacks resolution, and the result is an often soft image with narrow contrast and inaccurate colors. His solo career has been extraordinary, to say the least, as he has never really bothered with the worries of the commercial market and has continued to pave his own path. Gabriel is a renowned live performer and his onstage charisma and instantly recognizable voice combine brilliantly with the orchestral sound palette to breathe a new sense of wonder into familiar songs.
Bonus features include a documentary in which Gabriel describes his ambition for the show as his grandest since Genesis Lamb Lies Down on Broadway tour, and the challenges in pulling it off visually.
For the newly curious, Secret World Live provides a compelling overview from Peter Gabriel’s heyday. For Peter Gabriel, Us was arguably the last album of his career where he could launch a large-scale tour and perform a bulk of material from his new album. This isn’t an issue with most transfers, however, as they mainly look as close to the original source as possible and, for a lot of recent 16mm (particularly Super 16) films, are quite satisfying.
The surround channels, rather than being simple carriers of crowd noise and performance space atmospherics carry an array of discrete effects from percussive sounds that pan in circular patterns through the room, to the bagpipes that open “Come Talk to Me.” Vocals are clean and clear in the center channel and instrumental separation is superb. Secret World Live finds him in one of his finest moments career-wise backed by a top-notch cast of musical players. Ten years later, Secret World Live receives that overdue overhaul along with extras to make up for the wait.


Secret World Live, filmed across two nights in Modena, Italy in 1993, captured Gabriel on that tour playing a track list of songs that leaned heavily on his latest album Us with a mild sprinkling of what are some of the strongest numbers from his already long and illustrious career.
A concert like Secret World, however, with its dim lighting, flashing lights, quick camera pans and so forth may be pushing the limits of 16mm, especially when, inexplicably, they have chosen to transfer the film source at 1080i rather than 24Fps. I think there could have been just a tad bit more low end at times in what is an otherwise marvelous sound mix. Bolstered by a band of veteran musicians including Manu Katche on drums, Shankar on violin, and singer-songwriter Paula Cole on vocal duties, Gabriel’s show was in his typical fashion, more than just a rock concert. This introduces some motion artifacts that shouldn’t be there and makes it a bit less film-like. It married his love of world music with visual and performance art that engaged the audience. Outside of that, the image looks rather clean, without many instances of actual source damage and the grain looks natural. Two stages joined by a catwalk served as the setting for ambient stage lighting, screen projections, and excellent musicianship.



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