A superb supporting turn by Julia Roberts is the most welcome revelation of this clever but workmanlike English-language remake. Long-buried truths are exhumed, and a foreign-language Oscar winner gets a clever but workmanlike Hollywood retooling, in “Secret in Their Eyes,” a time-shuffling tale of murder, corruption, paranoia and the many varieties of obsession. A 2009 Spanish-Argentinean co-production directed by Juan Jose Campanella (credited as an exec producer on the remake), “The Secret in Their Eyes” made quite a splash internationally, sweeping Argentina’s top film prizes and nabbing the Oscar for best foreign-language film over the likes of Jacques Audiard’s “A Prophet” and Michael Haneke’s “The White Ribbon.” It’s no surprise that Academy voters went for Campanella’s “Secret,” a glossed-up pulp fiction that gestured often enough in the direction of seriousness — a twinkly rumination on art and memory here, a non-committal smattering of politics there — to be mistaken for the real thing. In Los Angeles circa 2015, former FBI investigator Ray Kasten (Ejiofor) returns to his old offices armed with possible evidence of the new identity and whereabouts of Marzin, the never-prosecuted suspect in the 2002 rape and murder of a teenage girl. Ray’s script fidgets restlessly between past and present, teaching the viewer to keep track of time through the insistent darkening and lightening of Ejiofor’s beard. Despite all this skullduggery and compromise, Kasten believes, the truth will inevitably betray itself in a person’s guilty countenance — whether it’s in the pages of police mugshots that he spends hours poring over, or in the seemingly innocuous company-picnic photo that exposes a criminal in the making. It’s not the only way the detective blurs the boundaries between professional obligation and personal desire, to judge by the romantic attraction that continues to flicker between him and Sloan, even after a 13-year absence. As for “Secret in Their Eyes,” the movie manages to register its own identity in gradual, piecemeal fashion, even as it doesn’t deviate too dramatically from its predecessor’s narrative template. CrewDirected, written by Billy Ray, based on the film “The Secret in Their Eyes” written by Juan Jose Campanella, Eduardo Sacheri.
Chiwetel Ejiofor, Nicole Kidman, Julia Roberts, Dean Norris, Michael Kelly, Joe Cole, Zoe Graham, Alfred Molina. The critics keep comparing the original film to the remake, even though most viewers have not seen the original film and don’t care a hoot about it. Chang – you produced a lot of gibberish when all you had to say was that the movie sucked big time. This film is so bleak and depressing and void of any hope or humanity, I wonder ho many suicides it will invoke? To say that the American remake of the Oscar-winning Argentine movie Secret in Their Eyes is suddenly and sadly timely in the wake of the Parisian terror attacks and accompanying fresh wave of cultural fearmongering is to give the movie entirely too much credit, and to simultaneously deny humanity's grander ongoing tragedy.
The further Ray dug into the case in 2002, the dirtier his hands got, ultimately discovering that even when he nabbed an oily teen lizard he was convinced was the perpetrator, there was no way he'd ever get him to stand trial. Ray, the director, unfurls the parallel time structure with the same flat, procedural monotony applied by Juan José Campanella to the original film, albeit with far less willingness to wallow in lurid details. So much investment is put in the roundelay of plot reveals that when the big third-act twist comes, it arrives shortchanged of its intended political implications. Atom Egoyan is only interested in using the Holocaust as fodder for carrot-dangling plot contrivances. Its feminist perspective checkmates the frat-boy misogyny and machismo that too often mar films set in combat zones.

Enter to win DVDs of Backtrack, Hot in Cleveland: Season 6, The Driftless Sea, and Standoff. Our preview section is your best, most complete guide for all the films, big and small, coming your way soon. Meses despues de la primera imagen oficial ya podemos ver el trailer de 'El secreto de una obsesion' ('Secret In Their Eyes'), remake de 'El secreto de sus ojos', la famosa pelicula argentina ganadora del Oscar. Basada originalmente en la novela 'La pregunta de sus ojos' de Eduardo Sacheri, la historia se centra en dos agentes del FBI, Ray y Jess, cuya vida da un giro tras el brutal asesinato de la hija de Jess. ACTUALIZACION 2: Anadido el trailer para Espana, donde se estrena el 15 de abril con el titulo 'El secreto de una obsesion'. El nuevo guion y la puesta en escena han sido responsabilidad de Billy Ray, director de 'El precio de la verdad' ('Shattered Glass', 2003) y 'El espia' ('Breach', 2007).
A remake of Juan Jose Campanella‘s 2009 Oscar-winning drama, the film also stars Dean Norris, and Michael Kelly. Written and directed by Academy Award® nominee Billy Ray (Captain Phillips,The Hunger Games), and produced by Academy Award® winner Mark Johnson (Rain Man, “Breaking Bad”), Secret In Their Eyes is an intense, powerful, haunting thriller starring Academy Award® nominee Chiwetel Ejiofor, and Academy Award® winners Nicole Kidman and Julia Roberts. A tight-knit team of rising FBI investigators – Ray (Chiwetel Ejiofor) and Jess (Julia Roberts), along with their District Attorney supervisor Claire (Nicole Kidman) – is suddenly torn apart when they discover that Jess’s teenage daughter has been brutally and inexplicably murdered. Now, thirteen years later, after obsessively searching every day for the elusive killer, Ray finally uncovers a new lead that he’s certain can permanently resolve the case, nail the vicious murderer, and bring long-desired closure to his team. Interweaving past and present, this deeply layered mystery explores the murky boundaries between justice and revenge, and asks the question: how far would you go to right an unfathomable wrong?
This English-lingo remake, while similarly superficial, at least has fewer pretensions and more honest grit, even if its relentless hopscotching back and forth in time initially feels busier than the hard-nosed detectives and attorneys introduced in the opening stretch. The body, as we see in the ensuing flashbacks, was found in a dumpster behind a mosque, and so the investigation fell to Kasten and his tough-talking partner, Jess Cobb (Julia Roberts), both part of a special task force cracking down on terrorism in the days following the Sept.
In 2015, Kasten and his trusty old colleague Bumpy (Dean Norris) attempt to ensnare the man they think is Marzin — against the better judgment of district attorney Claire Sloan (Kidman), who, for Cobb’s sake, can’t bear to see the perpetrator slip through their fingers yet again. Of course, operating on that sort of pure, anti-establishment instinct can lead even a skilled detective to bend the law to his or her advantage, especially when it concerns the death of a police officer’s child (another reason why the revision of Roberts’ role works so well).
The dark, fascinating thriller is about a woman’s worst nightmare and how it impacts several lives that are entwined with each other. In those days, the body of Jess's daughter had been found in a dumpster near a prominent and closely monitored mosque. Chiwetel Ejiofor, Nicole Kidman y Julia Roberts son las estrellas de esta nueva version en ingles que intentara aprovechar el tiron de las oscuras historias detectivescas que ha vuelto a poner de moda la serie 'True Detective' (?soy el unico al que la 2? temporada le esta pareciendo mejor que la 1??). Ha dicho esto sobre el remake: "A pesar de la grandeza de la pelicula original, senti que necesitaba una version ligeramente mas musculosa, y eso significa un poco mas de historia y un par de cosas que pienso que son toques genuinamente americanos, para justificar el volver a narrar esta historia.

No one is prepared, however, for the shocking, unspeakable secret that will reveal the enduring, destructive effects of personal vengeance on the human soul. This second major release from STX Entertainment (after the recent sleeper hit “The Gift”) should parlay its cast names, including Nicole Kidman and Chiwetel Ejiofor, into solid year-end counterprogramming. Back in 2002, we learn, Marzin (Joe Cole) was an undercover informant who had infiltrated a terrorist cell possibly connected to the mosque — an “in” that made him virtually untouchable where the Bureau was concerned. Even with that excuse, Kasten abuses the system to a borderline-ridiculous degree, at various points seizing evidence without a warrant and planning a (successful) stakeout based on the barest of hunches.
The film was criticised for dwelling too much on Julia Roberts character’s trauma instead of the investigation angle. Can imagine the mayor plot twist here is Kidman and Roberts were paid .00000000000000000000000% less than their male counterparts. Naturally, the true cost is measured in terms of how it affects Americans—this time, focusing on the ones in positions of power.
He was Homeland Security's inside man sitting on the potentially largest sleeper cell of terrorists in the country, or so Morales and his ilk believed. Dean Norris y Michael Kelly completan el interesante reparto de 'Secret In Their Eyes', cuyo estreno esta previsto para el 23 de octubre en Estados Unidos.
It’s by far the weakest dramatic and thematic link in a story that’s ostensibly about the prison of desire — how we are all slaves, in the end, to the unique feelings, drives and obsessions that make us who we are.
Looking weary and downright haggard at times (especially next to the pale and perfectly coiffed Kidman, who, it must be said, seems to age the least of the three principals), Roberts brings an acrid sense of bitterness and sorrow to this exceedingly sharp-witted sleuth, registering the cruel passage of time and the toll of unspeakable tragedy in every careworn feature and vocal quaver. Executive producers, Stuart Ford, Deborah Zipser, Russell Levine, Lee Jea Woo, Robert Simonds, Matt Berenson, Jeremiah Samuels, Juan Jose Campanella. I also loved the sweet, subtle, simmering undercurrents between Chiwetel and Nichole’s characters. Morales (Alfred Molina) not to let the case overtake his primary directive (namely, preventing further assaults on the homeland), Ray let his personal investment in the girl's murder absorb him. Such refreshing stuff from the flash-in the-pan sexual escapades that Hollywood is notorious for. By the time the action picks up again in 2015, at least two of them are well-nigh hollowed. Losing a child the way Roberts character experienced in the film is a horrendous nightmare.

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