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25.09.2014, admin
Recently I was trying to shut the drawer where we keep our measuring cups and I noticed there was one getting stuck. I was stunned to find that we had a collection of 31 different measuring cups and only 2 were complete sets. He likes the coffee mugs where they are, not because that is necessarily the best place for them.
So, we keep our collection of stainless steel travel mugs in one upper cupboard that is not near the coffee maker. My husband is wise, steady, dependable, honest, financially savvy, and an incredible husband and dad. And, he is happy when I keep my heart, my attitude, my mood, and my countenance, dependably pleasant. Lots of marvelous biblical heroes showed the truth of their frustration and sadness from time to time. With all due respect, nowhere in scripture does it say that a wife’s sole mission in life is to constantly keep her husband happy. I would like to arrive at a totally disinterested cinema, one which is completely pure… I would like to achieve greater disinterestedness, a purer relationship with the audience. The cinema of poetry is the cinema which adopts a particular technique just as a poet adopts a particular technique when he writes verse. Having closely questioned our conscience we have decided to devour you for your disobedience. We see a group of people who became so desperate from chronic hunger that they succumbed to cannibalism. The leader of the cannibals dreams about a future society where people will have enough to eat and will never need to kill one another. Julian (Jean-Pierre Leaud) and Ida (Anne Wiazemsky) are both from very rich families, they are smart, good looking and “in love with each other”. Ida with a background of Julian’s parents’ castle – she doesn’t know yet that it will never be her home.
The horrifying secret Julian carries inside is a result of a chronic childhood trauma, to do with the fact that his father and mother were just what they are – cynical, rude, ordinary, cruel and indifferent to everybody. Julian’s mother is charmless, without any emotional sensitivity, without any interest in life of other people. Julian’s father’s artistic proclivities are completely solipsistic; they are merely his self-extension, without any rapport with the world. The very monstrosity of Klotz’s artistic pursuits is signified in this shot by the frightening physical ugliness of the harp looking here rather like a medieval military weapon or some kind of device for torture than a musical instrument. Klotz’ secretary got on his tongue a pimple signifying the fact that he lies to his patron. Here is the moment that decides everything, the destiny of Klotz, Herdhitze (Ugo Tognazzi) and Julian, and metaphorically, the historical destiny of humankind and the future generations. By pressing Klotz to get rid of his son, Herdhitze secures his co-ownership of Klotz’s factories, farms, mines and property.
What to do if you already in early adolescence came to the certainty that your parents – in their emotional posture vis-a-vis life, in how they view others and the world (that always has to be at the disposal of their appetites like bacon or the potty) and see themselves at its very center (always ready to grab, masticate and digest their surrounding), are… pigs, that their human appearance is only a trick, an aesthetic convention? Julian’s pseudo-sexual fixation on the pigs and the pigsty (his unconscious metaphors of his parents and their bedroom and castle) is in no way a “naturalistic” desire, problem of sexual deviation for the technicians of superficial psychiatric diagnosis – people don’t become “deviants” mechanically, without involvement of their cognitive function, without forming ideas about reality.
Such intellectual metaphors of pseudo-bestiality and pseudo-cannibalism are, psychoanalytically speaking, Julian’s or the hero’s of the second part of the film interpretations of their locked destinies (to be born from pigs and to die of hunger and humiliation, inequality and injustice, correspondingly) and, simultaneously, their cognitive attempts to improve their destiny when “improvement” is even more tragic (these two young people are too deprived of humane treatment to find real way out).
The striking feature of Pasolini’s film is the comparison of how language was used in a medieval countryside and during democratic prosperity of the post-WW2 period.
In both tales of the film Pasolini emphasizes how difficult it is for the young people to find real solution to their difficulties without modern humanistic education, when human cognition is impregnated with imaginary and are not able to understand the reality and discover its alternatives. They’ve entered a time of government corruption, a widening income gap, a decomposed, non-existent social safety net and political disinterest in favor of profits. And, I wonder if it possible to change the direction of 5,000+ years of a culture based on Confucianism, Buddhist & Taoism? Where people have differences in opinions, yet are required to live in harmony with each other. Where seeking knowledge to become a better person means bringing wealth and honor to your family and, once again, serving your superiors. The day was good in that I was taught how to prepare a traditional Chinese meal by a legit, working chef.
Someone told me way back when, the Chinese thought Westerners were heathens not because of our rudeness and need to rule the world but because of our meaty aroma. After the cooking school, we all sauntered back to the Imperial Hotel with full tummies of food and beer.
And, then you look past the scanty conditions and your eyes are filled with rich nourishment.
I cried because I’m not doing enough to make a positive difference in this world – with the gifts God gave me.
Because of my Zen-”I need to be present” mentality and meandering through the streets stopping, watching, taking pictures…. Other wonderful foods I saw were oranges, bananas and fruits I can’t pronounce, but seem to eat at every meal. Whenever we stopped to take pictures, old women looking around 110 but probably more like 60, would appear out of nowhere.
Anyway, at the top of Moon Hill, there was this cute, young Chinese couple who asked Julian to take their photo.
Next stop – tomorrow, whatever day that is – we’re taking an overnight train to Wuhan where we will board a boat and head up to the Three Gorges. Moments ago, I just walked through the lobby with my CLEAN laundry shoved into a mini- plastic bag used for carrying prunes and raisins.
So, I threw back a large “pint” and less than 30 mins later, there I was laying flat down, semi-naked on a plastic massage table along side eight other plastic tables. Little Sin Sin, Jin Jin or Tin Tin – can’t pronounce her name – worked my back over for the next hour.
Not really sure how to respond when you are laying naked on a plastic table smelling dirty socks being reminded you are a super, pasty freak.
So, yes, the towels and pillow cases in “Dr” massage mill exuded a lovely pantone color of grays and yellows.
My new tour posse is mainly couples — BIG change from Trans-Siberian rail young bucks crowd.
We’re staying at the Imperial Hotel, butting up to the market of counterfeit non-essentials. It’s not been overly injurious for they use a soft blanket for a mattress pad and a sheet for the fluff factor. When I wrapped up my 2 hour Chinese massage last night, I kicked back on my balcony with some peanut butter, a banana and local beer.  I was perched to observe. After diligently packing, they hoisted the poundage onto their 1950’s Schwinn bikes with front AND back baskets or their 1980s mini-moped with no muffler.

For the Olympics, the Chinese government had tourist manners training broadcasted on the radio and TV instructing the 1.3 billion, essentially, two main things.
Besides confused communism, the words hawking and luggie launching are going to be added to my list for China as the word sighing was my go-to Russian descriptor. But, bamboo pole pusher gave my first real sense of calmness since entering the country of 1.3 billion – that is if you remove cigarette smoke and his occasional cackle to other pole pushers passing by.
But, with a Central Government whose main goal is equality for all – get to that one later – it’s their goal to find jobs for everyone. In order to post comments, please make sure JavaScript and Cookies are enabled, and reload the page. When we willingly stay in abuse we are as guilty as the abuser, and we tell false stories to our children about who God is. When an authority is wicked and abusive we are to stand up for what is right and true and take what comes be it a den of lions or a furnace of flames or the displeasure of a wicked man that might eventually lead to a legal divorce.
This takes place in the industrialized part of Germany, at Godesberg, near Cologne, which is where Adenauer used to live, in the villa of a big German industrialist rather like Krupp, say – one of the old industrial families. In Pasolini’s film it’s not only a pigpen but a metaphor of an important aspect of modern civilization. Medieval world with its endless wars, epidemics, obvious inequality, poverty, hunger and superstitions, when dreams about crumbs of human happiness could survive only in the heavens of our belief, was just one episode from our past, but Pasolini made to occupy the place of our historical cradle in order to sharpen the comparison between “past barbarity” and today’s (enlightened) democracy. In this still, we see them in the castle of Julian‘ parents, who are also present, in Pasolini’s comic composition emphasizing the familial configuration of a happy future, after the young and beautiful ones will marry, inherit a fortune and start a new life of petals, fruits and achievements. She is like a rare flower or a ripe fruit, and with her education, intelligence, taste, tact and manners she is a great luck for any boy or man.
They are fascists by psychology, and this is especially terrifying because the father has the best humanistic education and has even talent for writing a monstrous poetry not without a chilling beauty. His aesthetic meditations in company of harp are cooling him after the intensity of his concentrations on his business deals. The physicality of harp here symbolizes, it seems, the condition of Klotz’s soul that has forgotten its humanity.
Herdhitze made Klotz not only hopeful but optimistic about the results of their fierce and furious financial duel. In this scene we see Herdhitze’s fatal blow at Klotz’s simplemindedness – the underestimation of his opponent who is much more ruthless than Klotz is – who will demand ultimate sacrifice as a condition for the deal.
Like Davoli’s many other characters in Pasolini’s films, Marrachione is a personification of narcissistic simplemindedness of many poor people who are unconsciously blocking their ability to think about life (not to feel too frustrated) and then taking surface of events for their essence. It is exactly the predicament in which the son of an exemplarily wealthy German couple (Herr Klotz and his wife Bertha) found himself when his brain started to make “abstract” (reflective) associations and conclusions. This operation is different from regular associative thinking in cinema – from one phenomenon to the other – from one element of the plot to the other, when “thinking” is reduced to borrowed cliches. The essence of Julian’s intuitive logic is that if it is possible to be a monstrous pig in a human form, may be, it is also possible to be less piggish and closer to human condition in natural pig form. The theme of medieval life is represented by the method of silent movie – there are some verbal exchanges but the viewers don’t need to hear them – the meaning of words is dissolved in the reality of living.
This SHOCKED me for I assumed communist governments took care of their people to the point of putting a spoon to their mouths. Splurged on laundry for I’m trying to put a stop to the continuous sink-scrubbing of undergarments. I assume this exposed body is relaxing along side friendly, flesh-eating parasites and bacteria bombs since no one is able to “shock the shit” out of this place.
I’ll be staying at the Hilton in Beijing for one night and will report out if they swap out springs for wood too. Around 10:30 pm, I watched these women painstakingly packed up their individual wooden retail cubicle. To reduce smoking, the country forced Marlboro to put pictures of cancer ridden teeth and black lungs on the cig packets. So, China has a deluge of street cleaners sportin’ orange vests and rubber boots, carrying hay broomsticks and rusted trays, walking around with heads down in search of their prey – LITTER.
However, to be fair, since 1999 when Snyder bought the Redskins, the Cowboys have only one playoff win in a span when the Raiders -- the Raiders -- have four wins in the postseason.
What I was trying to say was that wives are called to be helpmates, NOT Stepford wife-like doormats. Honestly, it was nice to see you (whom I consider a long-distance mentor) can struggle with the same types of things as me in my marriage. The equivalent of what you see in a text of poetry you can also find in cinema text, through the stylemes, i.e.
The viewers who, while watching the film, will get it – will immediately start to worry about Julian’s destiny and even for his life.
His precocious mind implanted into his soul, already in childhood, the seeds of being condemned. Ida no less than Julian suffers from megalomaniacal entrenchment that, though a phenomenon widespread in their age, is in them especially swollen – in Julian because of his particular psychological constellation, in Ida because of her frustration about Julian‘s indecisiveness. The same character (a kind of medieval Marrachione) appears in a parallel segment of the film where he is unable to grasp the behavior of the cannibals and implies that they are “agents of devil”. Upon awakening of his ability to brood about life Julian Klotz started to feel himself, as if, locked within a pigsty of his destiny, like homo-sacers in concentration camps, and this in spite of living in a parental castle of luxury with servants, cooks and guards amidst the vast land around.
Like Julian became a pseudo-bestial, tormented by hunger the hero of the parallel part became a pseudo-cannibal. Metaphorization of essence includes the unconscious interpretation of what is perceived as an essence of certain phenomenon or situation – before its metaphorization into visual image may take place. Like the cannibal is absurdly revolutionary insisting on the sacred human right not to be abused by the system, Julian is even more absurdly reformist. But the reality of a democratic life is depicted as noisy trajectories of, mainly, meaningless and vain talks crossing one another. But young people need future like an air; they are, psychologically, inhabitants and citizen of the future. He likes his socks in the drawer that are in now even if they fit much better in a different drawer.
We keep them there because that is where I first put them when I moved into this house 25 years ago. He is obviously a very disturbed out-of-control man and needs to be corrected by a higher authority (the law, if he will not submit to regular church discipline). A girl is in love with the son, but the son does not reciprocate her love, although he is not in love with anybody else.
The closest to us in this shot is the leader of the gang (Pierre Clementi) who takes whole responsibility for his crimes and, when caught, courageously meets his punishment – without any panic or appeal to Christ for forgiveness. Is it because after knowing his family and their circle he perceives Ida’s cute innocent genuineness as a fake – he already doesn’t believe that human beings can be like her.
He is beyond it – he is a robot of profits, a computer of calculation and manipulation.
It is his understanding of the inhumane and cruel social order sacrificing human beings to idols of monarchy, aristocracy and church (cannibalizing human beings by wars and poverty and their souls by the worship of idols of heavenly and earthly authorities) – what made his intuition perform the same metaphoric reduction to the essence, as Julian’s intuition made from “human pigs” to literary pigs.

In other words, “cannibal” didn’t really become a cannibal because of chronic hunger but because his intuition was trying to “formulate” through his existential actions his impressions about how his society treats its people. When, because of the absence of noble identifications with decent adults, vices and crimes become the only ways for the young people to reach self-realization, everything becomes distorted and nothing means anything – semantic chaos is the result. When verbal communications do make sense for the interlocutors the dialogues are, mainly, vicious and manipulative (as between Herdhitze and Klotz). Edge: JERRYStudents of historyJONES -- Shortly after buying the team in 1989, Jones fired the Cowboys' legendary and dignified Hall of Fame coach Tom Landry, saying later that the way he handled the situation was one of his biggest mistakes as an owner.
The person right behind him surrendered to cannibalistic temptation as to the sin (Franco Citti), and when he was sentenced to death, he instantly psychologically regresses to the condition of a child.
Their innocent unconscious self-aggrandizement has also to do with the assimilation of a pompous European history with its global religious messianic pretensions and the “complex” of aristocratic glory. For Herdhitze hate, torture and murder, like for Faulkner’s character Flem Snopes, are just strategic or tactical adaptation to the necessity to survive by any price during tough times. Marrachione reports to his masters (about Julian having been eaten by the pigs) with a wooden naivete of a person who “thinks” in mythical categories, like, for example, many poor ultra-conservatives in formal democracies today. In other words, as a child Julian made the logical reduction between personal relationships (debased by profit-by-any-price orientation) and sexual relations as predatory adults would have it, whereas the medieval cannibal – between the morally cannibalistic social relations and his personal crime of physical cannibalism. The same with Julian who at first was suppose to come to the conclusion that his father and mother are as disgusting as pigs, before he could make a choice between pig in a human form and a pig as created by god.
Cannibalism becomes more moral than career in church, the company of pigs – more normal than the company of humans. In a way, the Chinese should rejoice for they’re dealing with Germans and not customer-service, demanding, this is unacceptable Americans. This luggie thing makes me want to dry heave when I hear the flem moving in their throats and being sprung loose. You don't say?SNYDER -- Although he loves to recall how, at 6, he was awestruck after walking into RFK Stadium while holding his father's hand, one of his first acts as owner was to rip the name of beloved former owner Jack Kent Cooke off the stadium. True, Hitler was also a bit feminine, but a feminine murderer: our tradition has decidedly improved.
His psychology is that of a criminal while Clementi’s character is less of a traditional mentality – he is able to see the larger (social) situation, the objective conditions of living, his intuition grasps the contours of modern idea of a “system“ that acts through individuals, not only the idea of personal motivation. In the scene referred to in this shot, Pasolini in order to emphasize the objective historical aspect of Julian and Ida’s inflated self-importance, makes them talk while being alienated from each other by the golden carriage stored in Mr.
Pigs as God’s creation are perceived by Julian as superior creatures than human pigs as a pernicious deviation from what the human being created by God supposed to be. Since the medieval times the impressive development of language in all the areas of culture and civilization not only didn’t help to achieve human liberation from the forces of power and manipulation, but didn’t make human understanding more efficient and rooted in life.
According to “Pigpen”, today’s despotic reality rips away the future from the young, like in the medieval world did the very contrast between Churches and the Castles on the one side and the burned grass, the barren rocks and the peasant shacks on the other.
So, the murderous mother had obedient sons with blue eyes and much desperate love, while I, affectionate mother, have this son neither obedient nor disobedient… I and my Bertha have discussed democratically this matter. His father has an economic and political rival he is trying to eliminate, and through detectives he has found out that his rival was a Nazi criminal with a collection of Jewish skeletons. The cannibal also prefers to be a cannibal than to fight for “survival” according to existing social rituals and be ready to kill, betray and lie in order to get advantage over others. In this sense it’s very symptomatic when Herr Klotz mentions the names of Georg Grosz and Berthold Brecht.
Well, at least they enjoyed the nice Texas weather.SNYDER -- He once charged fans to attend training camp, hit them up for $25 parking on Fan Appreciation Day in 2006 and sued season-ticket holders who could not pay for their seats during the recent recession.ADVANTAGE -- Snyder gave Steve Spurrier $5 million a year but wanted 25 bucks for parking on Fan Appreciation Day? If he’d obeyed I’d have taken him under my wing… we’d have flown over our Cologne’s smokestacks, forges of buttons and cannons. He is just about to eliminate him when the rival turns up at his house and tells him about his own son, because the rival had the same idea of destroying his competitor, and so he ‘d done some spying on him as well. Bestiality and cannibalism in the film can be called behavioral metaphors of a certain politico-moral essence (discovered by the two young men, heroes of the film about social life of different historical periods as they observed it). Even treasures of intellectual experiences are not capable of be incarnated into mass consciousness while even some fascist figures who obviously culturally competent (Herr Klotz) are not influenced by the truths about themselves that they know very well – they don’t change their vicious and criminal ways under the influence of cultural understanding. Just know I took a big plane and small bus to get to the land of warmth, humidity and zits. This had revealed that the mysterious son could only have erotic relations with pigs, hence his fraudulent visits to the sty. One of the lessons of Pasolini’s “Pigsty” is that real culture can tragically co-exist with a fascist sensibility without producing even a spark, even a shadow of incompatibility with it. With a son not agreeing or disagreeing I could do nothing… Having closely questioned our conscience we have decided to devour you for your disobedience. So the two industrialists, the neo-capitalist with Nazi past and the more cultured paleo-capitalist unite and do a merger. It happens when the chance to make profit, reach higher social status or even just make living contradict the truth.
Just at this moment the son goes off as usual to the pigsty… This is right in the middle of the merger celebrations. Some farmers appear and tell the old industrialist that the young man has been eaten by the pigs. I look in the mirror and say, “Really?” Can’t wear the lipstick, apply zit cover up or eye liner for fear of buying a whole new set of hotel linens. They call these trains a “hard sleeper.” I wonder what they call my hotel bed made of plywood?
This is the work and indelible trademark of Jones the GM: a historically bad defense, a coach lacking command and a $100 million franchise quarterback who wilts under pressure.
The old man listens carefully, and when he has satisfied himself that there is absolutely nothing left, not even a button or anything like that, he says to the farmers: “All right, don’t say anything about this to anybody”, and that’s the end. Edge: DANNYPersonnelRemember the huge impact Deion Sanders had when he went to the Redskins in 2000? In the pass-happy era of the NFL, Jones has been particularly bad with QBs (Quincy Carter, Chad Hutchinson, Romo) and receivers.
Chinese preggers ripped it from the hanger, balled it up and threw it in an old plastic bag she found under the table. He passed on drafting Randy Moss, gave up two first-round picks for Joey Galloway and forked over $54 million and three draft picks for Roy Williams.SNYDER -- Any list of the top 10 free-agent busts usually includes between four and six players signed by the Redskins.
Sure, Jones seems to say something odd or counterproductive about once a week (if not more frequently) but, hey, at least he says something.
Snyder, who once banned fan signs inside FedEx, seems petrified at the prospect of having to answer for any of his actions.
For all his faults, Jerry, at least, is a big enough man to be able to laugh at himself and accept criticism. It was the NFL equivalent of Michael Dukakis in a tank.ADVANTAGE -- After all the media attention from the glasses incident, Anderson put out Jerry Wipes and turned the thing into a money-making venture (for charity).

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