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After I saw it, I really thought it was going be a huge movie—but then, I saw the marketing. Nora Ephron wrote this, and it’s clear she had a lot of fun with it and didn’t take it too seriously. Also, it features a lot of shots of blue skies with big white clouds, which is one of my favorite things in film.
If you’re ever stuck during the holidays trying to figure out something to watch with a big group of family members with varying tastes, this one is perfect.
The sense of humor is a little Kids in the Hall-ish, but really, I think its most close cousin is stuff by members of The State. It’s sad to me that Adam Carolla has this reputation as an insensitive guy by people who don’t know much about him. This is a beautiful little indie film, stuck in a crappy DVD cover that make it seems like a dumb cheap-o bargain bin movie.
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Movie Description: Parody of WWII spy movies in which an American rock and roll singer becomes involved in a Resistance plot to rescue a scientist imprisoned in East Germany.
La famosa estrella del rock americano Nick Rivers (Val Kilmer) llega a Alemania Oriental para presentarse a un importante festival cultural.
Like any ‘genre film’, so many are pumped out each year that it’s almost impossible to keep track of which ones are good. They’re movies where even if you don’t like them, you have to admit they’re good for what they are. I have a sneaking suspicion Paul Thomas Anderson aped this movie’s blue-sky-and-clouds chapter breaks for Magnolia. A very funny and touching italian mobster comedy starring Joe Mantegna and the late great Don Ameche. I guess people wish it were Pee-Wee’s Big Adventure 2, and were disappointed when Paul Reubens didn’t give them that. It’s kind of the American equivalent to Monty Python in that sense, even though it’s Canadian.

You could replace Dave Foley with Michael Showalter and keep the script the same and it’d feel like a movie David Wain made.
If you like touching sports movies with sprinklings of romance, and also like to laugh, this one is for you. Bob Odenkirk, Will Arnett, and Will Forte all involved, and still people assume this is some throwaway comedy to avoid like the plague? Not all of it holds up (it loses steam during the kung fu sequence) but there are so many great parts throughout. Unless something gets an alarmingly high rating on Rotten Tomatoes, or was made by people you trust no matter what the Tomatometer says, you probably aren’t going to see it.
It’s one of those purely delightful movies that can always put you in a good mood, and doesn’t gets old no matter how many times you’ve seen it. It’s one of those rare ‘suitable for the whole family’ movies that isn’t dumb and doesn’t pander to the lowest common denominator. And it actually feels like a real movie, not just a series of gags—even though it’s got tons of them. Yet for some reason these same fans haven’t rallied around this film, with Dave Foley wrote and stars in. Our collective sense of humor has evolved—most people these days can recognize the difference between a crappy late 90’s movie and a movie pretending to be a crappy late 90’s movie. Did it ever occur to you comedy nerds that maybe the reason this has a 15% on Rotten Tomatoes is not because it’s unfunny, but because it’s too funny? This was back when his career was on the up—he’d just had The 40 Year Old Virgin and Little Miss Sunshine back to back. But for some reason, either people have no idea this movie exists (which is bizarre, considering it stars Steve Martin and Rick Moranis) or they saw it once ages ago and barely remember it.
It’s also one of the weirdest mashups ever: Cold war era spy movie meets Elvis movie-musical. It’s not a show I think about often, but anytime I revisit it, it’s clear how much it helped shape my sense of humor as a kid. It gets really zany as it goes on in the most lovely way possible, much like their stuff does.

Frank Whaley, one of the most underrated actors of the 90’s, gives a stellar starring performance—his best to date.
I’m sure some of that comes from the fact that it’s co-written by Shel Silverstein—a fabulous writer famous for work that both kids and adults can enjoy. And my favorite thing about this movie is that the jokes comes from so many different places. Just thing about that for a second: two crowd-pleaser comedies back to back, one a total game changer for the genre, the other an Oscar darling. There’s broad visual stuff, witty stuff, subtle stuff, dry stuff, observational stuff, etc. It’s like the person who made the poster didn’t even watch the movie, and simply had a picture of Carrell and a stock image of pancakes lying around.
It’s a perfect little John Hughes movie that for some reason just isn’t revered like his other work is.
Now, when I say ‘smart comedy’, I don’t mean big words and literary references and whatnot—I’m not talking Whit Stillman.
I remember everyone shat on it when it came out, but it actually has some funny parts, and overall it’s genuinely sweet—which is a hard feat for such a dumb premise.
I guess what makes it forgettable in peoples minds is that it’s a very succinct, small story about two people in an enclosed environment.
It takes a true craftsman with an impeccably rich sense of humor to be able to mine that much depth from such simplicity.
I’d see whatever movie he was in next, because his burgeoning movie career was looking pretty damn good.
Also, the guy who did this, Peter Hedges, did an overlooked movie before this one, Pieces of April, which you should definitely check out as well.

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