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The 2nd floor load bearing wall reinforcement moves along for the sake of a future vegetable garden on the roof.
To replace the two by four top plate with a two by six header, we cut off the top of the wall studs, removed them along with the top plate, and fitted the new header.
And along the way, we installed the heavy duty LVL headers (Laminated Veneer Lumber) to span the larger openings at the French door and pocket door locations. One major component of load bearing wall reinforcement is the vertical blocking under each roof joist.
Under those circumstances, do I really want to remove the load bearing wall, or start cutting section out from it? We placed the jacks between a header across the roof joists and a header across the floor, both two feet off the load bearing wall, added studs, and lifted 12 foot sections of the roof at a time. With the ceiling joists gone, we decided it would make sense to remove the existing load bearing wall and rebuild it from scratch.
Rebuilding and reinforcing the load bearing wall proceeded with a couple of interesting twists and turns that catapulted us into the classic problem solving mode.
We had our structural recommendations and were on the search for a good way of implementing them. On the first floor, we made sure to move and align the studs with the ceiling joists, which allows for direct and safe load transfer. Our structural engineer indicated that if wall studs and roof joists don’t line up, we should replace the two by four top plate of the load bearing wall with at two by six header. This got me thinking about the bottom of the wall, which has a typical two by four bottom plate.
First things first: Like with the dining room, we have to address the structural shortcomings and reinforce the existing roof structure above the kitchen. Unlike with the dining room, we have a slightly shorter roof span and thus only need to sister each existing roof joist on one side.
16d nails were right away eliminated from the list, simply because we didn’t have sufficient space between the existing roof joists to pound them in or use a nail gun. The dining room roof joists required sistering on both sides. We worked our way from the outsides toward the middle, maneuvering the joists under the roof. We left the most delicious part of the installation for the end – that little pesky header between the dining room center joists. We got the missing sister joists into place and connected the short and long piece of the center joist with a 36 inch long simpson strap at the bottom.
Follow our journey of a deep energy retrofit (or energy efficient rehab) on a 100+ year old masonry two flat in Chicago. Toronto must remain a progressive city, rewarding its citizens with a safe, healthy, and beautiful place to live.
Instant green with pre-vegetated mats or tray systems are always much more expensive than built-in-place.
As soon as the Case Study is complete it will announced on our blog and available for download on our Resources page. This week the planting will be finished just in time for the plants to settle in and prepare for a long winter nap. Once the roof is done a weather station as well as precipitation and temperature sensors will be added to monitor the green roof and regular roof.
After much anticipation and preparation, the ABC Carpet and Home green roof has officially begun construction!  We met with Construction Manager, Micheal Cluer, and Forewoman, Collen Loft, yesterday at ABC to check on the progress and to discuss project details. MUDHONEY - BIOGRAPHYA Mudhoney's time line begins in 1980, when teenaged Mark Arm formed the band Mr.
The existing conditions such as ceiling joists and perpendicular wall connections didn’t lend themselves to remove and rebuild. The bottom of the wall received the almost identical treatment, except that we left the two by four bottom plate in place and just set the new two by six header on top of it. All of the regular door openings also received new and properly sized headers in the same fashion as those on the 1st floor. The existing blocking was certainly insufficient, but still, it was taking weight from the roof and transferring it down. When we had about half an inch of clearing between the roof joists and exiting blocks, we removed the blocking and began with the wall reinforcement.

Thank you to our friend Drew, and also to Dan Rockafield, who lent their expertise and help.
We recently completed the roof reinforcement over the dining room and the kitchen to accommodate the additional load of the future green roof. That gives us enough room between and under the roof joists for the upcoming attic insulation.
My mind was set on proceeding the same way on the second floor with the roof joists, until it dawned on me that the roof joists are roughly spaced 20 inches on center, while the studs in the load bearing wall are spaced 16 inches on center. That header would receive the load transferred from the roof joist through the vertical blocking and safely spread it across the nearest wall studs. Another big difference, or advantage for that matter, is that we don’t have the ceiling joists to deal with.
Those lag bolts cost more than what I paid for the roof joists we used for the sistering – although I should disclose that we purchased the joist on the salvage and reuse market from The Rebuilding Exchange. Finishing the masonry pockets along the roof joists was one component in getting us another step closer to the green roof dream.
One end got placed into the masonry pocket, while levering the other end snug up against the the roof deck right above the load bearing wall. I use the hammer drill with a masonry bit to drill out the mortar joints and set up a perforation line across the brick.
I placed a sister joist mock up along the roof joist, which allowed me to mark the exact location for the joist pocket.
The goal is to turn the building into a zero-energy home with a sustainable and resource-efficient landscape. The aim of any green roof, or any other kind of BMP, is to create a sustainable, low-maintenance environment in the most cost-effective way possible. Instant green requires much more maintenance to adapt the plants to the location or keep them in perfect conditions. Judging by the transformation that has already taken place, the green roof will convert to a meadow style green roof in the next two years even when maintenance efforts are drastically increased. Epp and the Calculations with some high-school friends from the Seattle suburb of Bellevue; none of whom actually knew how to play at the time.
As a matter of fact, removing or cutting out wall sections would have been next to impossible. Once done, we tightly fitted the new vertical blocking under each roof joist and lowered the roof back back down. Well, if the wall studs happen to line up with the floor joist beneath, it wouldn’t matter.
The decision to duplicate the two by six header solution at the bottom of the wall came naturally. Their removal earlier spared us from maneuvering through the tight space between the ceiling and roof joists. These worked because we had enough room to drive them into the joists with my small impact driver.
I now have the privilege to pick up my framing tools again and install the sister joist for the roof reinforcement, starting in the dining room.
Our friends Max and Drew, both equipped with excellent carpentry skills, agreed to stop by and help out.
What is required of the city, and of any other city in North America, is to establish a clear consumer-oriented guideline for the best-practice in green roof construction.
More interested in goofing off, breaking things, and posting flyers for shows that were never scheduled than actually making music, Mr. Consider the existing roof weight that was poorly but nevertheless still transferred onto the wall. Nevertheless, the pockets turned out all right, and a test placement confirmed that the sistered joists would fit right in. An industry wide effort must be made to reduce the market price of designing and installing green roofs.
Epp didn't get around to playing a show until late 1981, opening for a band called Student Nurse. Despite their legendary ineptitude (they were described as "the worst band in the world" on more than one occasion), Mr.

In 1983, in a bid to sound more like a real band, the group added a second guitarist, Steve Turner, who had previously played in a garage band called the Ducky Boys. That same year they released their Live As All Get Out cassette, but things began to peter out for the group, and they played their final show in February 1984.
In 1981, Arm and Turner, who'd become fast friends, also began playing in another joke-punk band, the Limp Richerds, and briefly placed their focus on that group until the Richerds also broke up near the end of 1984.A Eager to start playing again, Arm and Turner teamed up with drummer Alex Vincent, who had played with Turner in a short-lived band called Spluii Numa, and bassist Jeff Ament, who had recently arrived in the Northwest from Montana. When Arm decided he wanted to put down his guitar and concentrate on vocals, Turner asked former Ducky Boys guitarist Stone Gossard to join the group, and Green River was born. Along with fellow Washingtonians the Melvins, Green River were pioneers of a new Northwest rock sound, merging the snot-nosed sneer of punk with the minor-key thud of heavy metal. It didn't take long for Green River to get noticed on the Seattle rock scene, and in 1985 the band released their first EP, Come On Down.
By the time the record hit the streets, Turner had left the band to return to college (he was also growing disenchanted with the harder rock direction the band was following); and with new guitarist Bruce Fairweather, the band set out on a nationwide tour that was little short of disastrous, in large part because a delay in the record's release had the band supporting an album that hadn't come out yet. The band survived to make a second EP, Dry As a Bone, for a new Seattle label, Sub Pop Records, in 1987; but, by the time their first full-length album, Rehab Doll, was released in the summer of 1988, tensions between members of the band caused Green River to split up. Ament and Gossard formed a new band called Mother Love Bone, Fairweather joined Love Battery, and Vincent went to law school.A Arm and Turner, meanwhile, had formed a side project while in Green River called the Thrown Ups, featuring graphic artist Ed Fotheringham on vocals.
Essentially a more extreme example of the sort of goofy onslaught Arm and Turner had let loose with Mr. Epp, the Thrown Ups brought the two friends back together again, but Turner expressed a desire to form a new band that actually rehearsed songs before they played them in front of an audience. In his spare time, Turner began working up new material with Arm and drummer Dan Peters, who had played in Bundle of Hiss and Feast. Needing a bassist, the three hooked up with Matt Lukin, who had recently left the Melvins shortly before they left Washington for California. Naming themselves Mudhoney, after a Russ Meyer film none of them had actually seen, the new foursome took the punk metal formula of Green River and the Melvins, added a dollop of '60s garage rock swagger and a large portion of Fun House-era Stooges, and ran it all through the cheap stomp boxes Arm and Turner so cherished. The indie circuit success of the Replacements and Big Black had created a demand at college radio and the underground club circuit for harder and heavier bands, and Sub Pop's homegrown-but-earnest media blitz was helping to make "the Seattle Sound" -- soon to be dubbed "grunge" -- the next big thing, with Mudhoney the chief beneficiary.
While the band's first american tour was nothing to write home about, the Sub Pop hype machine had already begun to take hold overseas, and the band scored a European tour -- mostly dates in Germany -- in early 1989.
A few months later, Sonic Youth, who'd been big fans of Green River, invited Turner and Arm's new band to join them for a British tour, and soon Mudhoney found themselves the talk of the U.K. Superfuzz Bigmuff landed on the British indie charts and stayed there for the better part of a year, and the band wasted no time returning for a headlining tour, complete with massive press coverage and riotous shows. Word of Mudhoney's rep in Europe quickly crossed the pond, and the band was the new heroes of underground rock by the time their first full-length album, simply called Mudhoney, came out in late 1989.A In the wake of Mudhoney's success, a number of other Sub Pop acts began making big noise on college radio and the indie club circuit, including Soundgarden, Tad, the Fluid, and a trio of Melvins fans from Aberdeen, WA, called Nirvana.
However, while Sub Pop was doing a fine job of creating the Next Big Thing, they weren't making much money at it just yet; and the label's financial problems were one reason Mudhoney's second full-length album, Every Good Boy Deserves Fudge -- which found the band upping the garage punk quotient in their formula -- didn't hit stores until 1991. By the end of the year, Mudhoney was shopping for a new label, and they could have hardly chosen a better time; Nirvana had already taken the major-label bait in 1990, and by December of 1991, Nevermind had made them the biggest and most talked about rock band in America. Their first major-label album, Piece of Cake, made it clear that the band's new corporate sponsorship wasn't going to change their musical approach; but their presence on a major label seemed to alienate old fans, while the mass audience who had embraced Nirvana, Soundgarden, and Pearl Jam (featuring Arm and Turner's old Green River bandmates Stone Gossard and Jeff Ament) found Mudhoney's work too eccentric for comfort. With the release of March to Fuzz, a comprehensive career-retrospective compilation, many observers assumed that Mudhoney had called it a day, but in 2001 the band began playing a few live dates around the Northwest, with Steve Dukich (formerly with Steel Wool) sitting in on bass.
The shows went well enough that Mudhoney decided to take another stab at their career, and Guy Maddison -- who'd been a member of Bloodloss, one of Arm's many part-time bands -- signed on as Mudhoney's new official bassist.
Arm and Turner also found time to record and tour with a side project, the garage blues band Monkeywrench. When they came back together, they recorded Since We've Become Translucent and released it in the summer of 2002. The angry political and social commentary Under a Billion Suns appeared in 2006, followed by the deliberately raw, return to their aggressive roots The Lucky Ones in 2008.A In the years following The Lucky Ones, Mudhoney toured regularly, with one of the highlights being a showcase of the entire Superfuzz Bigmuff album at the 2010 All Tomorrows Parties in New York.

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Author: admin | 02.04.2015 | Category: Garden Shed Designs

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