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Quotations are those useful and beautiful sayings by someone else which describe our feelings and the moments perfectly. There was a time when quotes were only written on notebooks and diaries, but now times have changed and people like to get quotes tattooed on their bodies. Tattooed quotes usually include favorite song lyrics, lines from poetry or your favorite book etc; sometimes along with pictures and other designs. With a passion for Knowledge, Smashinghub has been created to explore things like Free Resources For Designers, Photographers, Web Developers and Inspiration. We had rolled into New Bedford, Mass., for the annual Summerfest on Saturday morning, July 2nd, spit out of a twister.
By Saturday, I shoulda€™ve been caught up on sleep, but struggled to find the energy for the game of musical chairs at Summerfest. Over the weekend, each of seven stages off the cobbled streets of the Whaling Museum district grew packed to overflowing. There was no mad dash for us for the first performance at the small canopied area at the National Park Garden Stage.
That first act was a€?Introducing Liz Longley.a€? This proved to be a priority-changing event.
I also managed to squeeze in an on-the-spot interview at a surprisingly subdued side room at the nearby, bustling Celtic Coffeehouse. Her father was a a€?really gooda€? jazz musician who played saxophone and had his own band. Exposure to chorus was minimal in grade school, but when she reached her early teens, she started singing with her dada€™s jazz group and continued until she was 18. Having begun writing on piano, Liz began performing with a friend, Sarah Zimmermann, who provided guitar backup. Additionally, Liz and Sarah performed at fundraisers, in particular a€?Relay for Life,a€? held every year to raise money for cancer research. They also played professionally at local Pennsylvania folk landmarks Steel City (Phoenixville) and The Tin Angel (Philadelphia). After high school, Berklee College of Music in Boston was the only college Liz applied to because it offered songwriting as a major. She still performs on piano when the opportunity presents itself, and thata€™s illustrated by two slow ballads on this CD where she uses her keyboard skills. Her upcoming shows dona€™t include anything in the New York metro area, but wea€™re hoping this article will change that.
The photograph we found online for our a€?Radara€? July ad showed a drop-dead beautiful face, and we wondered if there was matching talent to back it up. High school proved to be the seeding ground for this musical maelstrom, this force of nature. Ita€™s difficult to express how much enjoyment I got out of hearing the old chestnut, a€?Wild Women,a€? written by Ida Cox and sung by Wool&Grant on a recent John Platt Sunday Morning Breakfast Show on WFUV-FM. Their joined voices provide a wealth of pleasure, no matter what direction their music takes them. A big formative experience came from Ina Maya€™s connection with a member of a frienda€™s family, Davidine Small, whose mother and uncles were vaudevillians and musicians. One of Ina Maya€™s big money gigs was the town Christmas party at Abbott Hall in downtown Marblehead. After high school, she moved to Manhattan and went to Barnard College, the womena€™s school affiliated with Columbia University. In a short-lived episode after college, Ina May moved to Santa Cruz, Calif., to continue working in a rock band with her boyfriend.
As she described it: a€?I booked myself at coffeehouses and colleges as a solo act but after a few months, the bass player from the rock band moved to town from where hea€™d been in California to play with me. One of my solo gigs without the band was at Sandya€™s (also a famous jazz club) in Beverly, Mass.
As she saw it: a€?I missed playing out live and New York gigs were always high pressure showcase kinds of things. The next change in her life came through her friend Jon Albrink, a session player and singer who also had bands playing his original music. It was the era of singing sister acts such as The Lennon Sisters (The Lawrence Welk TV Show) and The McGuire Sisters (The Arthur Godfrey TV Show). Bev felt intimidated by the jazz people who surrounded her and stopped doing music for a time. She was finally on her own and became involved with protesting the Viet Nam war and in overarching societal problems.
She got introduced to and became heavily involved in the womena€™s movement, resulting in a greater level of self-awareness. Bev gave birth to her second child in 1982 and The Human Condition re-formed as a world-beat band, singing in different languages about international struggles.
Ten years ago, Bev formed a trio called The Dissident Daughters with two women were recruited from the Brooklyn Womena€™s Chorus. Beva€™s involvement with Ina May evolved from a Dissident Daughters recording project with Ina Maya€™s husband Daniel.
While Bev brings a higher political sensibility and Ina May writes a greater amount of personal songs, they complement each other.
She got introduced to and became heavilyA  involved in the womena€™s movement, resulting in a greater level of self-awareness. These tattoos signify the important moments or memories in their life, thus they tattoo it their bodies.


Wednesday night, finish the July issue, then get two hours of sleep; Thursday, pedal-to-the-metal from NYC to Fall River, Mass. Newly appointed chair police at the main Custom House stage prevented attendees from saving seats for hours at a time. Seats opened up after each act and the first attendees to dash to freshly vacated chairs near the front became winners.
As usual, we arrived at the festival at about 9:00 am and the first show didna€™t begin until 11. Liz was scheduled to perform 10 days later on July 12 at the Living Room in New York Citya€™s East Village. From the very first notes, it was obvious that we were going to want to see and hear a lot more from this brilliant 23-year-old.
I would not be jumping from tent to tent, looking for the best seats, hoping to find something near the front at the big Custom House tent. For her first eight years her family lived in West Chester, Pa., then they moved a little further west, to Downingtown. Her mother was an aspiring singer, but lacked the time and opportunity to pursue it as a career. Through her dad, shea€™d gotten exposure to Ella Fitzgerald and Sarah Vaughan and they were her favorites, the ones she focused on.
Other events included the high schoola€™s talent show and the senior prom, with both girls performing in their prom dresses. Liz said that she entrusted major decisions in the studio to producer Glen Barrett and enlisted feedback from her parents to help her decide what, in the end, would be the right sound for her on each track. These include a€?Little White House,a€? seemingly a farewell to her childhood, and a€?Unraveling,a€? another farewell of sorts to her grandmother, suffering from Alzheimera€™s. Her dad told her, a€?If youa€™re going to learn to have a career as a musician, youa€™d better start now.a€? Actually, performing after college was a continuation of what shea€™d been doing since high school and during her four years at Berklee.
Her teacher, George Walkey, hired her as a helper for his group guitar lessons at the Marblehead Y.
During their visits from New York, everyone made up songs and wrote plays, then performed them. She played the venerable Postcrypt Coffeehouse and other concerts on campus, opening at one point for legendary jazz pianist and composer Mary Lou Williams. A drummer hea€™d met in California also moved in, and we met some local musicians, and we started doing some of my solo gigs as a band. I opened for Paul Pena who wrote (Big Old) a€?Jet Airliner.a€™ He invited me to sing with him that night, and I jammed with him onstage.
Musicians that I knew were able to play a€?cluba€? dates, weddings, anniversary parties, bar mitzvahs, etc., and I thought it would be good for me to get better as a singer and to learn material, not just work in a band based around me a€” and to earn money. Her oldest sister bought some stock arrangements and thata€™s how Bev learned to sight-read music. She listened to the greats like Billie Holiday and Ella Fitzgerald and thought a€?I cana€™t do that.a€? She played the role of the musiciana€™s a€?old ladya€? for a couple of years and then ended the marriage. It was liberating for Bev to finally see her own involvement in an abusive relationship as part of a greater issue. The project never went anywhere, but Bev and Ina May had gotten to know each other through a song writing workshop and started singing together. They got to know each othera€™s life stories and saw that they had similar sensibilities as young performers. Tattoos can be made in stylish and cool designs, thus you can get your favorite quotes carved on your body in a voguish and stylish fonts.
Then, with breathtaking suddenness it darted upward, taking the hollow in my chest along with it.
The chairs were empty and there were no chair police to prevent us from saving a couple of seats for the first act. Wea€™d see her then, of course, since we never miss WFUV DJ John Platta€™s monthly a€?On Your Radara€? series. Instead, I followed Liz from one stage to the next, seeking the best photos and videos of her that I could get (below). Her earliest memories involve driving around with her father in the family VW convertible with the top down and music blasting from the car stereo.
The lone cover, a€?People Get Ready,a€? demonstrates a command that allows her to take ownership of the song.
While it did come up in our interview, her Facebook page states it more succinctly: a€?In high school, I was a marching band nerd.
I knew it was Ina May and Bev because Ia€™d heard them before and their sound is immediately recognizable. Both women started making music when they were very young and both of their paths make fascinating stories.
She would help tune studentsa€™ guitars and at the end of the class, would sing and play a song.
Although she cana€™t be sure, Ina May thinks that Davidine might have helped her get her first local gigs. Paul Penaa€™s producer and booking agent were there and approached me about working with them. The gig organizer told Ina May that a€?Danny Weiss would be playing the evening gig and was a genius.a€? Ina May was skeptical.
Always a high-energy person, Bev had a full-time job and was a single parent throughout this time.


Their first gig as Wool&Grant was a co-bill with Bev and The Dissident Daughters at The Good Coffeehouse in Brooklyn.
They describe those important memories of our lives that hold a place close to our hearts, so a quote could mean so much more to a person if it is related to their life in one way or the other. As she states on her Facebook page: a€?I grew up listening to Joni Mitchell and Karla Bonoff.
James Taylor, Karla Bonoff, Joni Mitchell and Sarah McLachlan were among the names she cited. I was surprised that she hadna€™t sought feedback from anyone at Berklee, but kept to the formula stated above.
One is a version of Joni Mitchella€™s a€?Rivera€? in which Liz hits some high notes that Joni herself might not be able to handle anymore. Therea€™s something of a country twang in Ina May Woola€™s voice that increases the veracity in her songs about lifea€™s travails and victories. Her mother graduated from Massachusetts College of Art in Boston and was an oil painter and then later a prolific printmaker.
She played kidsa€™ parties in junior high and high school and would get $10 for each party during which shea€™d lead singalongs. She didna€™t play acoustic for a while and hung out with rock musicians, did studio work and was in a rock opera, The Last Words of Dutch Schultz. It took her a while to extricate herself from that relationship, but she managed to do it around 1966. She learned to use the concept of a€?story songsa€? to make a political point, and on the first album, wrote about a working-class woman, a€?Janie,a€? from Ironbound, N.
Ina May has learned more about harmonizing from working with Bev, who is still a choral director. Quote are what people have been through, what they are going through and what they want their life to be.
But we didna€™t know her, so we figured it would be a good idea to get acquainted before seeing her at the Living Room.
The first two use a full studio band, complete with drums, bass, lead guitar backup, pedal steel a€” the works. The second is Van Morrisona€™s a€?Moondance,a€? which gives Liz a chance to show off her jazz vocal skills. When I wasna€™t on the field, I was writing music (on piano & guitar) and playing shows. Therea€™s a Buffy Sainte-Marie-like quaver and a power in the voice of Bev Grant that helps raise a persona€™s social awareness when it happens to be her goal. It was a whole other world, some rock and pop and also some standards and jazz singing with pickup bands. Another band person was explaining to Dan how Ina May sings a€?this songa€? and a€?that song.a€? Daniel said in response (not aware that Ina May was standing there) a€?Oh, I know all that female stuff!a€? Ina May stepped up and said, a€?Oh, really? Bev was known as a€?the little girl with the big voice,a€? and sang songs like a€?Blue Suede Shoesa€? and a€?Heartbreak Hotela€? as well as Teresa Brewer covers.
As part of that group she made a documentary about the Miss America pageant protest in 1968 and she took many photos surrounding that event. She has written songs to illustrate those issues.] After the Human Condition disbanded, she formed the Brooklyn Womena€™s Chorus, a 40-person vocal group.
While Ina May focuses on rhythm guitar and finger picking, Bev has taken on lead guitar work. This included a a€?concert night,a€? wherein the school invited students and parents to come to a performance solely by Liz and Sarah.
In contrast, her third album, the latest, Hot Loose Wire, completed right after graduation, is stripped down a€” just her, solo, with either guitar or piano a€” pretty much what we see in concert. Together, Wool&Grant possess a sweet blend and a one-two punch that invites all kinds of a€?strong womena€? references. Are you married?a€? and wound up telling him about her relationship problems after the gig.
Her oldest sister had taken several years of piano lessons and learned electric bass, while her middle sister took up lap steel. Theya€™ve each brought earlier work to the new album and have collaborated on one of the new songs, a€?The Last Man on the Mountain,a€? about strip mining.
Theya€™d bring in a song and other students would dissect it, asking questions like why a word was used in a particular place.
Later I realized that when you change the words, the chords, the melody and the rhythm of a song, it might be called a€?writinga€™ a song. Abruptly, her husband and a bass player friend moved to New York, where they looked for gigs.
There were classes where songs by famous writers were analyzed, and Liz loved it all, soaking up every learning opportunity that came her way. Shea€™d only heard him doing pop and rock on synthesizer at the gig and was flabbergasted to hear him playing a€?gorgeous acoustic jazza€? on a piano. Theya€™ve been married 25 years now and Daniel has produced both of Ina Maya€™s solo albums.




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