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Through the fog and darkness, there are the watchers, bringing us news from the fringes of our world. It was at the tail end of a phone interview with Tom Pacheco, me in New York City, he in Woodstock, NY, where he lives.
Tom's repertoire, while a treasure trove left-of-center principles, extends far beyond political polemics. When I first came to New York City, I was criss-crossing paths with Tom, as he was just beginning his first stretch up in Woodstock.
Tony was a brilliant jazz guitarist who had gone to pre-WWII, Nazi-occupied France at age seventeen. The folk influences started when his father's friends would bring albums with them from New York City.
The whole folk-rock thing started around 65-ish or soa€¦ bands like the Byrds following Dylan. Tom would have been a stalwart of the resurgent Fast Folk movement in the late 70's and early 80's if he'd stayed around.
Right as Tom was leaving the Village for Woodstock (then later, Texas, Nashville and Ireland), a group of songwriters would gather at The Cornelia Street Cafe to critique each other and eventually record their music. Ex-Animals bassist Chas Chandler had coaxed Jimi to England and helped him form the Jimi Hendrix Experience.
He formed a band with three other folksingers (Sharon included) and made an eponymous album, Euphoria. A picaresque figure, Shadow would walk down 42nd Street with a white cane that had a long blade inside of it, ready for any kind of trouble. In 1987, not caring for the direction America was taking (it was the Reagan years, folks,) he headed off to live in Ireland.
Tom and his wife Annie flew from Ireland to Newark (NJ) airport and were surprised to find a long white limo waiting for them, arranged by The Band.
While visiting Levon Helm, Tom discovered a box full of tapes of songs that other artists wanted The Band to record. There is a mountain of great Pacheco songs for American listeners to discover (or re-discover). There are a lot of progressive shows being broadcast or streamed and they would benefit from sharing his work with listeners. The sampling that this author has collected from the decades of Tom's career show consistently high production values. Those of us who recognize how important he is will do what we can to ensure that Tom gets what he needs. Tom had begun singing his very latest song about the world at large and some of the people caught in the mercilous jaws of history.


Every viewpoint I've ever taken regarding the exploitation of the working class by the corporate elite is there in his songs. There are things about Teddy Roosevelt and the co-opting of Cuba, that led up to the Castro revolution that I was unaware of. He played guitar alongside the legendary Gypsy jazz guitarist Django Reinhardt, then slipped out of the country. He got to listen to records by Woody Guthrie, Cisco Houston and Leadbelly -- also Bob Dylan's first album on Columbia. Before that, however, Tom's apartment at 117 MacDougal Street was the first place the Fast Folk crowd would gather to play. Later, Tom made an album for Columbia with Sharon, Pacheco and Alexander produced by a pre-Orleans (now Congressman) John Hall. Although Tom didn't make another album for the next five years, he continued to write and his work was recorded by others. I was only going to live here and tour Europe, fly over to Italy for two weeks, Scandinavia for three weeks, Holland, Switzerland, Germanya€¦ I didn't think anyone would remember me. Levon was too upset about his trials with Robbie Robertson over song rights to want to record other people's work. Neither the service provider nor the domain owner maintain any relationship with the advertisers. He'd met a family in a Wal-Mart parking lot in nearby Kingston, who were living in their car. On Bleecker Street, I walked into Kenny's Castaways, and there was Tom, burning up the stage with a syncopated guitar strum and a buzz-saw of a voice. He started writing songs at age fifteen and would hitchhike 60 miles to Boston and 60 miles back and be in high school the next day. Because he didn't want to wake Sharon up, he'd ride the old freight elevator to the basement. The list includes Jack Hardy, The Roches, Rod MacDonald, David Massengill, and Steve Forbert. There was Radio Luxembourg and there was Radio Caroline, a ship anchored two miles off the English coast. For the next album RCA insisted on something more commercial, including innocuous love songs. In the interim, from 1978 to '84, he lived in Austin, then from 1984 to '86 back in Woodstock and then spent a year in Nashville (no way was he fitting in with those folks). A couple of the albums were actually recorded in Nashville, but for the most part, Tom steered clear of America. Tom moved back to Woodstock in 1997, primarily to be near his parents, but also to work with his friends in The Band.


Rick Danko's last album, released posthumously (he died of a hear attack in 1999), included two of Tom's songs.
Every moment of every day supplies material for a man who is consumed by the desire to chronicle life in all of its glories and defeats. In case of trademark issues please contact the domain owner directly (contact information can be found in whois).
A 2003 profile in Dirty Linen states that Tom's yearly song output is around 40-50 (or 2,500 total, back in 2003!). My musical tastes evolved through jazz fusion and then around again to folk, and by then, Tom was distant memory.
One of them was The Flying Machine (James Taylor, their songwriter), The other was The Lost Sea Dreamers (AKA Circus Maximus, Jerry Jeff Walker, their songwriter).
He had to squeeze through tight crawl spaces to a center room where he would write until 6am.
He was in the invasion of North Africa, Sicily and Naples, and was then transferred back to England.
He saw Phil Ochs a number of times in Boston and was in the audience at Newport when Dylan went electric and remembers the workshops with Pete Seeger and Buffy Saint-Marie. Huge cockroaches by the thousands inhabited the basement, making his passage there more than uncomfortable. In June 1944, as part of the invasion of France, he and the troops marched straight to Paris where he saw Django again and they jammed together. Near the tail end of his 10 years in Ireland, Tom had reflected that although he'd made recordings on European labels and even recorded in Nashville, he hadn't seen Woodstock in 11 years.
After the war, Tony returned to the United States to raise a family and open a music store, where he also taught guitar. He wanted to make an album using all Woodstock players, maybe get 1 or 2 members of The Band on one song. When Django later came to the United States to tour with Duke Ellington, Tony touched base with him again. He picked up Tom's guitar and asked if he could play a song, asking Tom what he'd like to hear.




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