Ryan Scaluro (L) and guests attends the A&E and Variety Documentary Party during the 2015 Tribeca Film Festival at The Chester on April 21, 2015 in New York City. The documentary follows a unit of one hundred and forty women who, between June 2013 and July 2014, travel far from their families, friends and all that is familiar at home in Bangladesh to join the United Nations Stabilizing Mission in Haiti (MINUSTAH). Sharmeen Obaid Chinoy spoke about the film stating, "For the last 3 years, we have been following a group of incredible and awe-inspiring women who continue to challenge stereotypes: what it means to be a woman, a Muslim and a citizen of a third world country. The filmmaker duo, who originally hail from Pakistan and India were granted unprecedented access to the 140 paramilitary police officers who form the world’s first all- Muslim women Peacekeeping unit from Bangladesh. As the world ponders the future of Peacekeeping, this film adds to the discourse by asking the following questions: are women the key to lasting conflict resolution and peace building — and at what cost or benefit to themselves, their families, those they impact on the ground, and the traditional structure of the communities they come from? Raj Pakistan telling the world that, resolving the kashmir will lead to decreased militancy in the region. Hamza Khan If your opinion of life stems from what others say or think, you will not be happy in any culture or country on earth.
Astra Film Cinema, the only cinema in the centre of Sibiu, starts its screenings on the 11th of February.
Chagrin Documentary Film Festival Announces Selected Films for 6th Annual Fest in October, 2015. The Chagrin Documentary Film Festival to Screen 66 Documentaries, Representing 28 Countries, Oct.
The Chagrin Film Fest is proud to present these remarkable films from 28 countries and for the 3rd year, to be a MovieMaker Top 50 Film Fest! The Chagrin Documentary Film Festival is proud to announce the film lineup for the sixth annual event being held Oct. Social Awareness: Among the Believers - Directed by Hemal Trivedi (Pakistan), Lessons of Basketball and War - Directed by Ron Bourke (USA), Pack Up Your Sorrows - Directed by Todd Kwait (USA), Sanskriti - Directed by Melissa Balan (China, Finland, Kenya, USA), Two Barns - Directed by Haim Hect (Poland), Women of ‘69, Unboxed - Directed by Peter Barton (USA). Local Interest: 100 Years of Sparks - A Story About The American Fireworks Company - directed by Sam Angello (USA), Hidden In Plain Sight - Directed by Joseph Jurecki (USA), Kilbanetown Comeback - Directed by Des Kilbane (Ireland, USA), Make Fun - Directed by Jim Tews (USA), Move On! Additional films presented for screening, not in Festival competition, include The Lost Sparrows of Roodepoort - Directed by Brock Carter, David Ponce (South Africa, USA) and Road Rebellion - Teen and Young Adult Cancer in America - Directed by Hernan Barangan (USA).
The Chagrin Documentary Film Festival is a program of Fevered Dreams Productions, a non-profit, 501(c)3 organization dedicated to empowering filmmakers to tell their stories. The Festival is made possible by grants from Cuyahoga Arts and Culture and the Ohio Arts Council. Reach out to the author: contact and available social following information is listed in the top-right of all news releases. Director Stanley Nelson takes questions at IDFA after screening his Independent Lens film The Black Panthers: Vanguard of the Revolution. Frontline sent Shayla Harris, a former New York Times producer who joined the investigative series in July as senior producer, digital video.
Director Stanley Nelson came to IDFA to present The Black Panthers: Vanguard of the Revolution, debuting on PBS’s Independent Lens in February. IDFA veteran Klara Grunning-Harris, a commissioning editor at the Swedish Film Institute who worked for ITVS for 11 years, described IDFA as a mecca for international documentary. These screenings play an important role in the business that gets done at IDFA, according to Nelson. With ITVS’s multilayered involvement in funding and presenting documentaries on American public television, its films were all over IDFA. Best of Enemies, on the TV debates of Gore Vidal and William Buckley in 1968, was selected for a special track of the film festival, the “Masters” series.

Independent Lens has counted on IDFA to drive international interest in its new films and projects in development. Vossen joined international broadcasters at IDFA to hear pitches for co-financing and co-production.
This year, Vossen and director Hao Wu pitched People’s Republic of Desires to broadcasters and film foundations. Pollard’s trailer tapped into a vast family archive to portray Davis’ groundbreaking roles in entertainment, civil rights and race relations. Seeking $423,346 out of a production budget of $973,146, Koch told broadcasters the film would put “Sammy Davis Jr. Since Harris is new to Frontline, IDFA was an opportunity for her to meet people from PBS and other major series. Harris first attended IDFA DocLab in 2012 to present an interactive story she made for the New York Times, and she described that experience as profound. Along with the more than 300 DocLab Interactive Conference participants, Harris applauded Bianca Giaever’s improvisational Videos 4 You, featured on This American Life’s YouTube channel. For one of her TAL projects, Giaver used an open invitation on social media — “Need help with something you want to say?” — to find a Valentine’s Day story. William Uricchio, founder of the MIT Open Documentary Lab and a leader in IDFA DocLab since it was launched in 2007, helped put Giaever’s collaboration with Maia in the context of DocLab’s celebration of immersive, interactive experiments.
Larry Kirkman is Dean Emeritus at American University’s School of Communication, where he teaches courses on social documentary and the history of cinematic arts for filmmakers pursuing graduate degrees. Current is an editorially independent, nonprofit service of the American University School of Communication. This year's Sundance opening film is "The Bronze" a raunchy comedy with gymnastics at its core. Documentary filmmaker Rory Kennedy arrives at the premiere of the film "What Happened, Miss Simone?" on the opening night of the 2015 Sundance Film Festival on Thursday, Jan.
Through the organic unfolding of their experiences during this year, the documentary defies the way we look at women from developing nations and asks the difficult questions that must be considered to better the global effort to build peace. The film was a labor of love, and ultimately, we hope these brave women's stories will change perceptions and help push the conversation forward." said Geeta Gandbhir. For two years, their cameras followed these women from small towns and villages in Bangladesh to disaster stricken Haiti as they embarked on their Peacekeeping mission for the UN.
7-11 at venues all around the century village of Chagrin Falls, Ohio.Festival tickets go on sale Sept. Burns (Japan), Fitting the Description in North Portland - Directed by Jarratt Taylor (USA), From the Hand of Man - Directed by Denise Holloway (Greece, United Arab Emirates), Growing Home - Directed by Faisal Attrache (Syria, USA), Gutenberg in the Cyberstorm - directed by Susanne Lenz-Gleissner (Germany), The Hermit - directed by Lena Friedrich (USA, South Africa), Mother Kuskokwim - Directed by Tim Guthrie (USA), Panic of 1907 - Directed by Kelly Banks, Geoff Yaw (USA), Rattle the Hocks - Directed by Cody Dickinson (USA), Seaglass - Directed by Tiffany Laufer (USA), Teen Press - Directed by T.C.
The Festival was named to MovieMaker Magazine’s “Top 50 Film Fests Worth the Entry Fee” list in 2013, 2014 and 2015.
Generous support is received from Medical Mutual of Ohio, the Chagrin Valley Times, South Franklin Circle, Wells Fargo Advisors, Cleveland Magazine, The Adcom Group, Automated Packaging Systems, DDR Corporation, Digital Alchemy, Black Box Venues, Gamekeepers Taverne, Chagrin Falls Popcorn Shop, Chagrin Valley Chamber of Commerce, Hotcards Inc., Chagrin Valley Jaycees, Hamlet Village Retirement Community, Hilton Homewood Suites, Cleveland Jewish Federation, Maltz Museum of Jewish History, Rotary of the Chagrin Valley, Elk and Elk, OWOW Radio and Burntwood Tavern. Producers and filmmakers from PBS’s creative documentary strands come to make deals and make friends, showcase new work and get inspired by the state of the art.
18–29, was a meeting ground for 3,271 documentary professionals from 93 countries, including producers from Independent Lens, Frontline, POV and American Masters, and executives representing PBS, New York’s WNET and the World Channel based at Boston’s WGBH. They also participated in dozens of panel discussions, Q&As with filmmakers and industry leaders, workshops and social events.
Harris went to share lessons from Frontline’s experiments with new video formats and to network with potential collaborators.

He also served on the jury for mid-length films and looked for international partners for a film about the Atlantic slave trade. This year, filmgoers bought more than 255,000 tickets for 319 films screened in world-class theaters. In addition to Nelson’s The Black Panthers, another ITVS-funded film, Welcome to Leith, was featured at the festival with an extended Q&A with co-director Christopher Walker. Co-directed by Academy Award–winner Morgan Neville (Twenty Feet from Stardom), the ITVS co-production, also headed for Independent Lens, is one of 15 documentary features shortlisted for an Oscar this year. It was one of 17 projects selected out of 600 Forum submissions for a “Central Pitch” held before a roundtable of 25 commissioning editors and an audience of 300. Giaever described her work as “audio-driven video,” visualized in postproduction and realized in collaboration with her subjects.
She co-created the video with its subject, Maia, who had not said “I love you” to her boyfriend once in an eight-year relationship.
In his talk, he emphasized the interest in “co-creation,” the process of involving your subjects in the creative process, an approach that cut across many of the boundary-breaking projects presented at the conference.
He also works with specialized centers within the school, including the Investigative Reporting Workshop and the Center for Media and Social Impact. We're funded by your subscriptions, your donations, advertising, and a generous grant from the Wyncote Foundation. The film dramatically shows how this journey forever alters the lives of three courageous women and their families. Leaving their families and homes behind, these remarkable police officers shatter stereotypes the world holds about the capabilities of Muslim women.
The 66 selected documentaries represent the work of filmmakers from 28 countries and focus on a wide range of thought-provoking topics. The documentary follows a North Dakota community’s response to an invasion of neo-Nazis and is also slated for Independent Lens.
For example, both India’s Daughter by Leslie Udwin, which debuted on PBS last month, and True Conviction by Jamie Meltzer, scheduled for a 2016 premiere, were featured in the Forum at previous festivals.
With development financing from ITVS and Sundance Institute, the film was seeking $369,697, out of a production budget of $513,772. Director Hao Wu said he found enthusiasm for the project in follow-up meetings over the next two days with broadcasters, including France’s ARTE, Denmark’s DR and the BBC.
Kirkman facilitated the university’s 2010-11 acquisition of Current as an independent journalism center.
Kennedy's film "Last Days in Vietnam" is an Oscar nominee this year for Documentary Feature. Though faced with struggles abroad, the women are also given an authority and opportunity during deployment not yet possible in their own country.
They battle complexities of culture, family responsibilities and religious beliefs with a rare level of grace, perseverance and purpose.

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