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09.08.2015

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At different periods, depending on the centre of calligraphy at the time, the Arabic script was known variously as anbari, hiri and mekki in pre-Islamic times, and after the Hegira these were qualified by the term medeni. Ottoman - Turkish Calligraphy, also known as Arabic calligraphy, is the art of writing, and by extension, of bookmaking. Ottoman Turkish calligraphy is associated with geometric Islamic art on the walls and ceilings of mosques as well as on the page. The traditional instrument of the Turkish - Ottoman calligrapher is the kalem, a pen made of dried reed or bamboo; the ink is often in color, and chosen such that its intensity can vary greatly, so that the greater strokes of the compositions can be very dynamic in their effect. The first of those to gain popularity was known as the Kufic script, which was angular, made of square and short horizontal strokes, long verticals, and bold, compact circles.The Diwani script is a cursive style of Arabic calligraphy developed during the reign of the early Ottomans (16th and early 17th centuries). Ottoman - Turkish Calligraphy, also known as Arabic calligraphy, is the art of writing, and by extension, of bookmaking. The first of those to gain popularity was known as the Kufic script, which was angular, made of square and short horizontal strokes, long verticals, and bold, compact circles. The Diwani script is a cursive style of Arabic calligraphy developed during the reign of the early Ottomans (16th and early 17th centuries). In the teachings of calligraphy figurative imagery is used to help visualize the shape of letters to trace.
The traditional instrument of the Turkish - Ottoman calligrapher is the kalem, a pen made of dried reed or bamboo; the ink is often in color, and chosen such that its intensity can vary greatly, so that the greater strokes of the compositions can be very dynamic in their effect. Islamic Mosque calligraphy is calligraphy that can be found in and out of a mosque, typically in combination with Arabesque motifs. The different designs are differentiated by being a different "model" or "series." Confusing the issue even more, some manufacturers "private label" their machines for large department stores. The Koran, which was the first Islamic text compiled in book form, was first written in mekki-medeni hand in black ink on parchment, without diacritics or vowel signs. In Persia and further east, meanwhile, kufi was transformed into a script known as mesrik kufisi, which was used until superseded by the aklam-i sitte scripts. It was invented by Housam Roumi and reached its height of popularity under Suleyman I the Magnificent.
It was invented by Housam Roumi and reached its height of popularity under Suleyman I the Magnificent. In essence, Husn-i Hat comprises the beautiful lines inscribed with reed pens on paper using ink made from soot. Arabesque is a form of Islamic art known for its repetitive geometric forms creating beautiful decorations.
Such as Sears' Kenmore and Montgomery Ward's Signature machines. Check the following list to determine if you have one of these "cross-branded" machines. Calligraphy is especially revered among Islamic arts since it was the primary means for the preservation of the Qur'an.Ottoman Turkish calligraphy is associated with geometric Islamic art on the walls and ceilings of mosques as well as on the page. The large scale form of kufi known as iri kufi, which was mainly used on monuments, was reserved for decorative purposes in combination with some elements of embellishment. The large scale form of kufi known as iri kufi, which was mainly used on monuments, There is a beautiful harmony between the inscriptions and the functions of the mosque. Calligraphy is especially revered among Islamic arts since it was the primary means for the preservation of the Qur'an.
As decorative as it was communicative, Diwani was distinguished by the complexity of the line within the letter and the close juxtaposition of the letters within the word.
In the 13th century, Yakut-ul-Mustasimi,a calligraphist from Amasya, made a breakthrough in calligraphy by using nibs of various widths and sizes in one composition.
These geometric shapes often include Arabic calligraphy written on walls and ceilings inside and outside of mosques. In time this style of writing divided into two forms; the sharply angled form being reserved for Korans and important correspondence. The form of mensub hatti known as verraki mentioned above, which was generally reserved for copying books and therefore known as neshi (a derivation of the verb istinsah, "to copy"), was the prototype for the muhakkak, reyhani and nesih scripts which emerged in the early eleventh century. As decorative as it was communicative, Diwani was distinguished by the complexity of the line within the letter and the close juxtaposition of the letters within the word.In the teachings of calligraphy figurative imagery is used to help visualize the shape of letters to trace. Specific surahs (chapters) or ayats (verses) from Koran are inscribed in accordance with functions of specific architectural elements.
Since this was most often used in the city of Kufa, it became known as kufi.The other form, which did not have sharp angles and could be written at far greater speeds, was employed in day-to-day uses, and due to its rounded, flexible character was suited to artistic application. For example, on the domes you can find the Nour ayat (the divine stress on light) written, above the main entrance you find verses related to the entrances of the paradise, on the windows the divine names of Allah are inscribed so that reflection of the sun rays through those windows remind the believer that Allah manifests Himself upon the universe in all high qualities.was reserved for decorative purposes in combination with some elements of embellishment.
Later, Sheyh Hamdullah, a famous calligraphist from the period of Sultan Mehmet the Conqueror, introduced major changes in the traditional seven writing styles and put the mark of the Turkish national character on Islamic writing. Turkish paintings, calligraphy, photography, music.When we speak of Turkish calligraphy, we refer to writing of aesthetic value in characters based on the Arabic script, which the Turks had adopted as their writing medium after their conversion to Islam.


It was this form which began to give rise to new scripts after the development of pens with nibs of different widths in the eighth century. The Arabic characters gradually assumed an aesthetic function after the advent of Islam, and this process gathered momentum from the mid-eighth century onwards, so that calligraphy was already a significant art discipline by the time the Turks joined the Islamic world. Hafiz Osman, Mustafa Rakim, Yesari Mehmet, Sevki Efendi, Sefik Bey, Mahmut Celaleddin, Kadiasker Mustafa Izzet, Sultan Mahmut II, Aziz Efendi, Necmettin Efendi, Sami Efendi and Hamid Aytac are all noted Turkish calligraphists who contributed to the development of this art. Among the earliest of these were the celil reserved for large scale lettering, and tomar or tumar which was the standard large size pen used in official correspondence.
Therefore it is necessary to begin with a brief review of the structure of Arabic characters and their development during the early centuries of Islam. Contemporary artists in the Islamic world draw on the heritage of calligraphy to use calligraphic inscriptions or abstractions in their work. Pens with a nib width two thirds of that of the tomar pen were known as suluseyn, and those with nibs one third in width were known as sulus.
The most succinct definition of calligraphy formulated by Islamic writers is, "Calligraphy is a spiritual geometry produced with material tools." The aesthetic values implied by this definition held true for centuries. Under this writing system most of the letters underwent a change of form according to whether they were positioned at the beginning, middle or end of a word. Other new writing styles which emerged (although all later fell into disuse) were riyasi, kalemu'n-nisf, hafifu'n-nisf and hafifu's-sulus. The idea of cutting the nib of the reed pen at an angle instead of horizontally was his, and an innovation which contributed enormous elegance to writing. When transformed into an art the characters took on highly elaborate shapes, and the rich visual impact attained when they were joined together, and above all the fact that the same word or phrase could be written in various ways opened the door to the infinite variety and innovation which is a prerequisite of art. These machines were sold as GE, Hotpoint, and "private-labelled" as JC Penney and Penncrest brands. In 1995, GE redesigned their dryers.
As their names indicate, some of the new scripts were based on tomar and written with pens which were specific fractions (half, one third, or two thirds) of the tomar pen. Once "the six hands" had taken their place in the art of calligraphy together with all their rules, many scripts apart from those mentioned above were abandoned, and no trace of them but their names remains today (for example, sicillat, dibac, zenbur, mufattah, harem, lului, muallak and mursel).Following the death of Yakut his conception of "the six hands" was carried by scribes who had trained under him from Baghdad to Anatolia, Egypt, Syria, Persia and Transoxania. Just as the characters could be written singly in several different ways, so there was an astonishing diversity of different scripts or "hands".
In the process of scaling down, the scripts took on new characteristics of their own, while the word kalem, which referred to the writing instrument, also came to be used for the writing itself (for example, kalemu'n-nisf literally means "half pen").
New generations of calligraphers who trained in these lands dedicated themselves to the path taken by Yakut as far as their aptitude permitted. The Arabic characters were adopted — primarily motivated by religious fervour by virtually all the peoples who converted to Islam, so that just a few centuries after the Hegira they had become the shared property of the entire Muslim world. For scripts such as kisas and muamerat, which were invented for specific uses and did not involve the proportional scaling down of the pen, the term hat was used.Under the Abbasids, learning and the arts flourished, leading to a swelling demand for books in Baghdad and other major cities.
The term "Arabic calligraphy", which is appropriate with respect to the early period, broadened in scope over time to become what more accurately might be described as "Islamic calligraphy".
To meet this demand the number of copyists known as verrak also rose, and the script which they employed in the copying of manuscripts was known as verraki, muhakkak or iraki.
In the hands of the Ottoman Turks, these six scripts were poised to begin the ascent to their zenith.CALLIGRAPHY,calligraphy in istanbul,calligraphy in turkey,istanbul in calligraphy,Turkish - Ottoman Calligraphy Lessons in Istanbul. This writing system, known as nabati because it was used by the Nabat tribe in pre-Islamic times, derives from the Phoenician. WCI's machines were sold under these original brand names, as well as Westinghouse and White-Westinghouse brands. In the '90's, WCI was bought by Swedish giant Electrolux, who changed the company name back to the Frigidaire Home Products Company. From the end of the eighth century, as a result of the search for aesthetic values by calligraphers, writing forms according to specific proportions and symmetries became known as asli hat and mevzun hat. In its early form, the script gave no clue of its future potential as such a powerfully aesthetic medium, the characters consisting of very simple shapes. One of the calligraphers who contributed to the development of writing, and the most outstanding among those of this period was Ibn Mukle (?
With the emergence of Islam, however, and particularly after the Hegira, the Arabic script became the literary vehicle of the last Semitic religion. The numbers of those literate in the Arabic script multiplied rapidly, and in time it was perfected into a vehicle equipped to record the Koran, and hence the language as a whole, with precision. Lettering complying with these rules was called mensuh hatti, a term meaning "proportional writing".While these developments were taking place, kufi script was enjoying its heyday, above all for copying korans.
Vowel signs known as hareke were invented to express the short phonemes which accompanied the consonants. The method of determining the sound of letters which resembled one another in form, by means of disparate positioning and diacritical marks was developed. As time passed, the use of diacritics to distinguish the undotted from the dotted forms of the same letters was introduced. They have continued to manufacture these "Herrin" machines as Maytag "Performa" models and high-end Crosley brand machines, but they have gone through a LOT of evolution.


Both the diacritics, the vowel signs and the unmarked letter symbols took on decorative forms which played a major role in the development of writing as an art. Meanwhile, the frequently used definite article, consisting of the letters alif and lam, became a balancing element in the aesthetics of calligraphy. You can find them in the yellow pages under the following headings:APPLIANCES, HOUSEHOLD, MAJORAPPLIANCES, PARTS AND SUPPLIESREFRIGERATORS, DOMESTICAPPLIANCES, HOUSEHOLD, REPAIR AND SERVICECall a few of them and ask if they are a repair service, or if they sell parts, or both. However, you don't want to badger them with TOO many questions, so know your basics before you start asking questions. Some parts houses may offer service, too.
They'll tell you it's too complicated, then in the same breath "guide" you to their service department. They should contain the model number somewhere. In any case, and especially if you have absolutely NO information about your dryer anywhere, make sure you bring your old part to the parts store with you.
An inexpensive one will suffice, as long as it has both "AC Voltage" and "Resistance" (i.e. It's true that diagnosing and repairing electrical circuits requires a bit more care than most operations, due to the danger of getting shocked. Remember the rule in section 1-5 (1); while you are working on a circuit, energize the circuit only long enough to perform whatever test you're performing, then take the power back off it to perform the repair. You will only need to be able to set the VOM onto the right scale, touch the test leads to the right place and read the meter. In using the VOM (Volt-Ohm Meter) for our purposes, the two test leads are always plugged into the "+" and "-" holes on the VOM. When testing 220 volt circuits (usually in electric dryers) make sure you always follow the precautions in rule 1 of section 1-5!Figure B-4: Testing Voltage1-4(b) TESTING FOR CONTINUITY (Figure B-5)Don't let the word "continuity" scare you.
It's derived from the word "continuous." In an electrical circuit, electricity has to flow from a power source back to that power source.
It should peg the meter all the way on the right side of the scale, towards "0" on the meter's "resistance" scale. If the meter does not read zero resistance, adjust the thumbwheel on the front of the VOM until it does read zero. You can touch the ends of the wires and test leads with your hands if necessary to get better contact. If there is GOOD continuity, the meter will move toward the right side of the scale and steady on a reading. This is the resistance reading and it doesn't concern us; we only care that we show good continuity. If you do not, the switch is bad.   1-4(c) AMMETERSAmmeters are a little bit more complex to explain without going into a lot of electrical theory. If you own an ammeter, you probably already know how to use it. If you don't, don't get one. The greater the current that's flowing through a wire, the greater the density of the magnetic field, or flux, it produces aroundthe wire. The ammeter simply measures the density of this flux, and thus the amount of current, flowing through the wire. To determine continuity, for our purposes, we can simply isolate the component that we're testing (so we do not accidentally measure the cur rent going through any other components) and see if there's any current flow. To use your ammeter, first make sure that it's on an appropriate scale (0 to 10 or 20 amps will do). If you need to re-energize the dryer to perform a test, make sure any bare wires or terminals are taped or insulated. Energize the unit only long enough to perform whatever test you're performing, then disconnect the power again. I want to impress upon you something really important. It's unpleasant, but unless exposure is more than a second or so, the only harm it usually does is to tick you off pretty good.However, 220 VOLTS CAN KNOCK YOU OFF YOUR FEET. And if you get it going and re-install it, you are running a very high risk that it will stop again. Replace the part. 3) If you must lay the dryer over on its side, front or back, first make sure that you are not going to break anything off, such as a gas valve.
Lay an old blanket on the floor to protect the floor and the finish of the dryer. 4) Always replace the green (ground) leads when you remove an electrical component. And NEVER EVER remove the third (ground) prong in the main power plug! 5) When opening the dryer cabinet or console, remember that the sheet metal parts are have very sharp edges. Wear gloves, and be careful not to cut your hands! 6) When testing for your power supply from a wall outlet, plug in a small appliance such as a shaver or blow dryer.
It's true that diagnosing and repairing electrical circuits requires a bit more care than most operations, due to the danger of getting shocked. The greater the current that's flowing through a wire, the greater the density of the magnetic field, or flux, it produces aroundthe wire.



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